persons; and a facetious emperor once invited eight, on purpose to raise a laugh against the person for whom there would be no place. He A knight in that country (Britain) heard the noise and cry made by the peasants and villains when they saw the great fleet arrive. He well knew that the Normans were come, and that their object was to seize the land. He posted himself behind a hill, so that they should not see him, and tarried there watching the arrival of the great fleet. saw the archers come forward from the ships, and the knights follow. He saw the carpenters with their axes, and the host of people and troops. He saw the men throw the materials for the fort out of the ships. He saw them build up and enclose the fort, and dig the fosse around it. He saw them land the shields and armour. And as he beheld all this his spirit was troubled; and he girt his sword and took his lance, saying he would go straightway to King Harold and tell the news. Forthwith he set out on his way, resting late and rising early; and thus he journeyed on by night and by day to seek Harold his lord." And we see him in the tapestry speeding to his beloved master. Meanwhile Harold is not idle. But the fleet which, in expectation of his adversary's earlier arrival, he had stationed on the southern coast, had lately dispersed from want of provisions, and the King, occupied by the Norwegian invasion, had not been able to reinstate it; and "William came against him (says the Saxon chronicle) unawares ere his army was collected." Thus the enemy found nor opposition nor hinderance in obtaining a footing in the island. Taken at such disadvantage, Harold did all that a brave man could do to repel his formidable adversary. The tapestry depicts, as well as may be expected, the battle. The priests had watched all night, and besought and called upon God, and prayed to him in their chapels, which were fitted up throughout the host. They offered and vowed fasts, penances, and orisons; they said psalms and misereres, litanies and kyriels ; they cried on God, and for his mercy, and said paternosters and masses; some the SPIRITUS DOMINI, others SALUS POPULI, and many SALVE SANCTE PARENS, being suited to the season, as belonging to that day, which was Saturday. AND NOW, BEHOLD! THAT BATTLE WAS GATHERED WHEREOF THE FAME IS YET MIGHTY. "Then Taillefer, who sang right well, rode, mounted on a swift horse, before the duke. Loud and far resounded the bray of the horns, and the shocks of the lances, the mighty strokes of clubs, and the quick clashing of swords. One while the Englishmen rushed on, another while they fell back; one while the men from over sea charged onwards, and again at other times retreated. When the English fall, the Normans shout. Each side taunts and defies the other, yet neither knoweth what the other saith; and the Normans say the English bark, because they understand not their speech. Some wax strong, others weak; the brave exult, but the cowards tremble, as men who are sore dismayed. The Normans press on the assault, and the English defend their post well; they pierce the hauberks and cleave the shields; receive and return mighty blows. Again some press forwards, others yield, and thus in various ways the struggle pro ceeds." The death of Harold's two brothers is depicted, and, finally, his own. It is said that his mother offered the weight of the body in gold to have the melancholy satisfaction of interring it, and that the Conqueror refused the boon. But other writers affirm, and apparently with truth, that William immediately transmitted the body, unransomed, to the bereaved parent, who had it interred in the monastery of Waltham. With the death of Harold the tapestry now ends, though some writers think it probable that it once extended as far as the coronation of William. There can be little doubt of its having been intended to extend so far, though it is impossible now to ascertain whether the Queen was ever enabled quite to complete her Herculean task. Enough there is, however, to stamp it as one of the "most noble and interesting relics of antiquity;" and, as Dibdin calls it, "an exceedingly curious document of the conjugal attachment, and even enthusiastic veneration of Matilda, and a political record of more weight than may at first sight appear to belong to it." Taking it altogether, he adds, "none but itself could be its parallel." Almost all historians describe the Normans as advancing to the onset "singing the song of Ro land," that is, a detail of the achievements of the slaughtered hero of Roncesvalles, which is well known to have been, for ages after the event to which it refers, a note of magical inspiration to deeds of "derring do." On this occasion it is recorded that the spirit note was sung by the minstrel Taillefer, who was, however, little contented to lead his countrymen by voice alone. It is not possible that our readers can be otherwise than pleased with the following animated account of his deeds :* THE ONSET OF Taillefer. "Foremost in the bands of France, Of Roland and of Charlemagne, Untaught to fly, unknown to yield, "Harold's host he soon descried, Clustering on the hill's steep side: 'Great Sire, it fits me not to tell 'Minstrel no more, be mine the blow By Thomas Amyot, Esq., F.S.A.-Archæol., vol. xix. 'Thy suit is gained,' the Duke replied, "And still of Roland's deeds he sung, While Norman shouts responsive rung, As high in air his lance he flung, With well directed might; Back came the lance into his hand, Whirled its unerring flight.— "Now thrice aloft his sword he threw, 'Midst sparkling sunbeams dancing, And downward thrice the weapon flew, Like meteor o'er the evening dew, From summer sky swift glancing: "More wonders yet!-on signal made, With mane erect, and eye-balls flashing, The well taught courser rears his head, Crushed by the wily minstrel's blow. Thus seems it to the hostile band "Fain would I leave the rest unsung:- |