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of Henry VIII. are preserved in the British Museum.*

These are some of them re-copied from Warto* .—

In the tapestry of the Tower of London, the original and most ancient seat of our monarchs, there are recited, Godfrey of Bulloign; the Three Kings of Cologne; the Emperor Constantine; St. George; King of Erkenwald; the History of Hercules; Fame and Honour; the Triumph of Divinity; Esther and Ahasueras; Jupiter and Juno; St. George; the Eight Kings; the Ten Kings of France; the Birth of our Lord; Duke Joshua; the Biche History of King David; the Seven Deadly Sins ; the Riche History of the Passion ; the Stem of Jesse; Our Lady and Son; King Solomon; the Woman of Canony; Meleager; and the Dance of Maccabee.

At Durham Place were the Citie of Ladies (a Frence allegorical Romance); the Tapestrie of Thebes and of Troy; the City of Peace; the Prodigal Son; Esther, and other pieces of Scripture.

At Windsor Castle the Siege of Jerusalem; Ahasueras; Charlemagne; the Siege of Troy; and Hawking and Hunting.

At Nottingham Castle, Amys and Amelion.

At Woodstock Manor, the tapestrie of Charlemagne.

At the More, a palace in Hertfordshire, King Arthur, Hercules, Astyages, and Cyrus.

At Richmond, the arras of Sir Bevis, and Virtue and Vice fighting.

Among the rest we have also Hannibal, Holofe- * Harl. MSS. 1419.

rnes, Romulus and Remus, ^Eneas, and Susannah.

Many of these subjects were repeated at Westminster, Greenwich, Oatlands, Bedington in Surrey, and other royal seats, some of which are now unknown as such.



"What neede these velvets, silkes, or lawne,
Embrodery, feathers, fringe and lace."—Bp. Hall.

"Time was, when clothing sumptuous or for use,
Save their own painted skins, our Sires had none.
As yet black breeches were not."—Cowper.

Manifold indeed were the varieties in mode and material before that beau ideal of all that is graceful and becoming—thefi black breeches"—were invented. For though in many parts of the globe costume is uniform, and the vest and the turban of a thousand years ago are of much the same make as now, this is not the case in the more polished parts of Europe, where that "turncoat whirligig maniac, yclept Fashion," is the pole-star and beacon of the multitude of men, from him who has the "last new cut from Stultz," to him who is magnificent and happy in the "reg'lar bang-up-go" from the eastern parts of the metropolis.

It would seem that England is peculiarly celebrated for her devotion at Fashion's shrine; for we are told that "an Englishman, endevoring sometime to write of our attire, made sundrie platformes for his purpose, supposing by some of them to find out one stedfast ground whereon to build the summe of his discourse. But in the end (like an orator long without exercise) when he saw what a difficult peece of worke he had taken in hand, he gave over his travell, and onely drue the picture of a naked man, unto whome he gave a paire of sheares in the one hand, and a piece of cloth in the other, to the end he should shape his apparell after such fashion as himselfe liked, sith he could find no kind of garment that could please him anie while together, and this he called an Englishman. Certes this writer shewed himself herein not to be altogether void of iudgement, sith the phantasticall follie of our nation, even from the courtier to the carter, is such, that no forme of apparell liketh vs longer than the first garment is in the wearing, if it continue so long and be not laid aside, to receive some other trinket newlie devised.

"And as these fashions are diverse, so likewise it is a world to see the costlinesse and the curiositie; the excesse and the vanitie; the pompe and the brauerie; the change and the varietie; and, finallie, the ficklenesse and the follie that is in all degrees; insomuch that nothing is more constant in England than inconstancie of attire.

« In women, also, it is most to be lamented, that they doo now far exceed the lightnesse of our men (who nevertheless are transformed from the cap even to the verie shoo) and such staring attire as in time past was supposed meet for none but light housewives onlie, is now become a habit for chast and sober matrons.

"Thus it is now come to passe, that women are become men, and men transformed into monsters"

This ever-revolving wheel is still turning; and so all-important now is The Mode that one half of the world is fully occupied in providing for the personal embellishment of the other half and themselves; and could we contemplate the possibility of a return to the primitive simplicity of our ancient "sires," we must look in the same picture on one half of the world as useless—as a drug on the face of creation. Why, what a desert would it be were all dyers, fullers, cleaners, spinners, weavers, printers, mercers and milliners, haberdashers and modistes, silk-men and manufacturers, cotton-lords and fustianmen, tailors and habit makers, mantuamakers and corset professors, exploded? We pass over pin and needle makers, comb and brush manufacturers, jewellers, &c. The ladies would have nothing to live for; (for on grave authority it has been said, that "woman is an animal that delights in the toilette;") the gentlemen nothing to solace them. "The toilette" is the very zest of life with both; and if ladies are more successful in the results of their devoirs to it, it is because "nous sommes faites pour embellir le monde," and not because gentlemen practice its duties with less zeal, devotion, or assiduity—as many a valet can testify when contemplating his modish patron's daily heap of "failures." Indeed to put out of view the more obvious, weighty, and important cares attached to the due selection and arrangement of coats, waistcoats, and indispensables, the science of ('Cravatiana" alone is one which makes heavy claims on the time, talents, and energies of the thorough-going gentleman of fashion. He should be thoroughly versed in all its

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