Ethics and the SubjectKarl Simms This volume contains nineteen essays -- eighteen here presented for the first time -- exploring the question of subjectivity as seen from an ethical perspective. Part I concerns the phenomenological development of Cartesianism and the concept of narrative identity, with essays addressing Levinas' idea of the Other, Ricoeur's Christianisation of Levinas, and Dennet's concept of folk psychology. Part II concerns the experience of reading ethically, as mediated through genealogy and psychoanalysis. The essays address the discourses of philosophy, psychoanalysis, film and literature, and are informed by Nietzsche, Freud, Foucault and Lacan among others. The volume will interest philosophers and critical theorists. Karl Simms provides comprehensive introductions to each of the parts, making the book accessible to informed general readers with an interest in cultural studies. |
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Page 20
... seems to supply everything one could want from a philosophical system in the twentieth century . It opens up a space ... seem strange to us , no doubt ours seem equally strange to them , and there is no way of standing outside your world ...
... seems to supply everything one could want from a philosophical system in the twentieth century . It opens up a space ... seem strange to us , no doubt ours seem equally strange to them , and there is no way of standing outside your world ...
Page 21
... seem both banal and implausible - that propositions or sentences stand to facts as pictures stand to the objects they depict . 2 " This is the way I have travelled : Idealism singles men out from the world as unique , solipsism singles ...
... seem both banal and implausible - that propositions or sentences stand to facts as pictures stand to the objects they depict . 2 " This is the way I have travelled : Idealism singles men out from the world as unique , solipsism singles ...
Page 27
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Page 29
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Page 30
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Contents
17 | |
Ordinary Language and its Enigmatic Ground | 29 |
Robin Durie | 43 |
The Philosophy of Emmanuel Levinas | 53 |
The Narrative Basis of SelfDevelopment | 61 |
Historical Narrative and the Abstract Subject | 77 |
Narrative Identity in Ricoeurs Oneself as Another | 85 |
Introduction | 99 |
vi | 165 |
Reflections on the SelfReflexive Signifying Chain | 173 |
Excessive Display of the Human Form in the Horror Film | 189 |
Paradigms of Desire in Pornography | 203 |
Versions of the Feminine Subject in Charlotte Brontës Villette | 217 |
The Embracing Language of Wallace Stevens | 227 |
To create and in creating live a being more intense | 237 |
Defoe and the Psychotic Subject | 245 |
Genealogical Methods | 127 |
Technologies of the Self | 139 |
Looking Up the Adolescent in Freuds Index | 147 |
Two Walks | 157 |
Bibliography | 253 |
Name Index | 271 |
277 | |
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Common terms and phrases
abstraction adolescent analysis Anna Freud aphonia Aquinas becomes bodily body boundary Byron canto Cartesian character characterised cinema cogito concept consciousness constituted construction Crusoe Crusoe's defined depicted Derrida Descartes 1985 described desire discourse Dora Dora's Erotic Olympics ethical example existence experience feminine feminist fictional figure folk psychology Foucault Freud function Gay Science gaze gender genre Heidegger horror film human Husserl idea identify identity imagination interpretation jouissance knowledge Kristeva Lacan Lacanian language Levinas linguistic Lucy Lucy's means metaphor mirror stage narration narrative nature Nietzsche Nietzsche 1966 Nietzsche's object ontological passive phallus phenomenology philosophy Plato Plato's Plotinus poem poetic pornography position possibility psychic psychoanalysis psychological question reading reality relation representation Ricoeur sense sexual signifier simulation soul speaking spectator split subject stanza Stevens story structure suggest symbolic theory theory-theory things thought understanding Villette visual Wittgenstein words writes
Popular passages
Page 18 - Life is not a series of gig lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end. Is it not the task of the novelist to convey this varying, this unknown and uncircumscribed spirit, whatever aberration or complexity it may display, with as little mixture of the alien and external as possible...
Page 23 - The world as I found it", I should also have therein to report on my body and say which members obey my will and which do not, etc. This then would be a method of isolating the subject or rather of showing that in an important sense there is no subject: that is to say, of it alone in this book mention could not be made.