Facing Unpleasant Facts: Narrative EssaysEssays by the author of 1984 on topics from “remembrances of working in a bookshop [to] recollections of fighting in the Spanish Civil War” (Publishers Weekly). George Orwell was first and foremost an essayist, producing throughout his life an extraordinary array of short nonfiction that reflected—and illuminated—the fraught times in which he lived. “As soon as he began to write something,” comments George Packer in his foreword, “it was as natural for Orwell to propose, generalize, qualify, argue, judge—in short, to think—as it was for Yeats to versify or Dickens to invent.” Facing Unpleasant Facts charts Orwell’s development as a master of the narrative-essay form and unites such classics as “Shooting an Elephant” with lesser-known journalism and passages from his wartime diary. Whether detailing the horrors of Orwell’s boyhood in an English boarding school or bringing to life the sights, sounds, and smells of the Spanish Civil War, these essays weave together the personal and the political in an unmistakable style that is at once plainspoken and brilliantly complex. “Best known for his late-career classics Animal Farm and 1984, George Orwell—who used his given name, Eric Blair, in the earliest pieces of this collection aimed at the aficionado as well as the general reader—was above all a polemicist of the first rank. Organized chronologically, from 1931 through the late 1940s, these in-your-face writings showcase the power of this literary form.” —Publishers Weekly, starred review |
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Page xxi
... shot an elephant? If you're a literary sophisticate, the correct answer is obvious: of course not. All we have are Orwell's words; they are what they are regardless of his life story, and only a naive reader demands that they reflect ...
... shot an elephant? If you're a literary sophisticate, the correct answer is obvious: of course not. All we have are Orwell's words; they are what they are regardless of his life story, and only a naive reader demands that they reflect ...
Page 21
... shot me into the street forthwith. Evidently the day in custody served instead of the fine. I had only twopence and had had nothing to eat all day except bread and marg., and was damnably hungry; however, as always happens when it is a ...
... shot me into the street forthwith. Evidently the day in custody served instead of the fine. I had only twopence and had had nothing to eat all day except bread and marg., and was damnably hungry; however, as always happens when it is a ...
Page 32
... shot. It was a bit of fun to them, as it would be to an English crowd; besides, they wanted the meat. It made me vaguely uneasy. I had no intention of shooting the elephant—I had merely sent for the rifle to defend myself if necessary ...
... shot. It was a bit of fun to them, as it would be to an English crowd; besides, they wanted the meat. It made me vaguely uneasy. I had no intention of shooting the elephant—I had merely sent for the rifle to defend myself if necessary ...
Page 33
... shot. They were watching me as they would watch a conjuror about to perform a trick. They did not like me, but with the magical rifle in my hands I was momentarily worth watching. And suddenly I realized that I should have to shoot the ...
... shot. They were watching me as they would watch a conjuror about to perform a trick. They did not like me, but with the magical rifle in my hands I was momentarily worth watching. And suddenly I realized that I should have to shoot the ...
Page 34
... shot an elephant and never wanted to. (Somehow it always seems worse to kill a large animal.) Besides, there was the beast's owner to be considered. Alive, the elephant was worth at least a hundred pounds; dead, he would only be worth ...
... shot an elephant and never wanted to. (Somehow it always seems worse to kill a large animal.) Besides, there was the beast's owner to be considered. Alive, the elephant was worth at least a hundred pounds; dead, he would only be worth ...
Contents
1 | |
11 | |
23 | |
29 | |
38 | |
Marrakech | 44 |
My Country Right or Left | 52 |
War time Diary | 59 |
Revenge Is Sour | 184 |
The Case for the Open Fire | 189 |
The Sporting Spirit | 193 |
In Defence of English Cooking | 198 |
A Nice Cup of Tea | 201 |
The Moon Under Water | 205 |
In Front of Your Nose | 209 |
Some Thoughts on the Common Toad | 214 |
England Your England | 109 |
Dear Doktor Goebbels Your British Friends are Feeding Fine | 139 |
Looking Back on the Spanish War | 143 |
As I Please 1 | 167 |
As I Please 2 | 172 |
As I Please 3 | 175 |
As I Please 16 | 180 |
A Good Word for the Vicar of Bray | 219 |
Why I Write | 224 |
How the Poor Die | 232 |
Such Such Were the Joys | 245 |
Notes | 296 |
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actually American army believe bombs bread Britain British Burmese Days cell child Cyprian’s Cyril Connolly Daily Worker doubt early elephant England English essays eyes face fact Fascist feeling fight fire Flip France Fredric Warburg French German hand happened Hitler Homage to Catalonia Home Guard intelligentsia Italian Jews killed kind knew labour later less live London look man’s memory merely Moon Under Water morning Nazis never newspaper night one’s Orwell Orwell’s papers party patriotism perhaps Pétain political prison probably raids remember rifle round Russian Sambo seemed shoot Shooting an Elephant shot side simply soldiers sort Spain Spanish Spanish civil war spike stories talk thing thought tion took Tramp Major turned Vicar of Bray whole words writing