Facing Unpleasant Facts: Narrative EssaysEssays by the author of 1984 on topics from “remembrances of working in a bookshop [to] recollections of fighting in the Spanish Civil War” (Publishers Weekly). George Orwell was first and foremost an essayist, producing throughout his life an extraordinary array of short nonfiction that reflected—and illuminated—the fraught times in which he lived. “As soon as he began to write something,” comments George Packer in his foreword, “it was as natural for Orwell to propose, generalize, qualify, argue, judge—in short, to think—as it was for Yeats to versify or Dickens to invent.” Facing Unpleasant Facts charts Orwell’s development as a master of the narrative-essay form and unites such classics as “Shooting an Elephant” with lesser-known journalism and passages from his wartime diary. Whether detailing the horrors of Orwell’s boyhood in an English boarding school or bringing to life the sights, sounds, and smells of the Spanish Civil War, these essays weave together the personal and the political in an unmistakable style that is at once plainspoken and brilliantly complex. “Best known for his late-career classics Animal Farm and 1984, George Orwell—who used his given name, Eric Blair, in the earliest pieces of this collection aimed at the aficionado as well as the general reader—was above all a polemicist of the first rank. Organized chronologically, from 1931 through the late 1940s, these in-your-face writings showcase the power of this literary form.” —Publishers Weekly, starred review |
From inside the book
Results 1-5 of 46
Page xii
... took up, Orwell quickly hit the target of something essential, making an insight that would occur to no other writer and would still resonate over half a century later. And it's often a short step from these slighter works to the themes ...
... took up, Orwell quickly hit the target of something essential, making an insight that would occur to no other writer and would still resonate over half a century later. And it's often a short step from these slighter works to the themes ...
Page xxvi
... took on different forms. There were his lengthy wartime studies of his own country, such as “England Your England,” which appeared in a small 1941 volume called The Lion and the Unicorn: Socialism and the English Genius, a call for an ...
... took on different forms. There were his lengthy wartime studies of his own country, such as “England Your England,” which appeared in a small 1941 volume called The Lion and the Unicorn: Socialism and the English Genius, a call for an ...
Page 2
... took our bundles away from us. The woman was sent off to the workhouse, and we others into the spike. It was a gloomy, chilly, lime-washed place, consisting only of a bathroom and dining room and about a hundred narrow stone cells. The ...
... took our bundles away from us. The woman was sent off to the workhouse, and we others into the spike. It was a gloomy, chilly, lime-washed place, consisting only of a bathroom and dining room and about a hundred narrow stone cells. The ...
Page 3
... took us five minutes to gulp down the cheap, noxious food. Then the Tramp Major served us with three cotton blankets each, and drove us off to our cells for the night. The doors were locked on the outside a little before seven in the ...
... took us five minutes to gulp down the cheap, noxious food. Then the Tramp Major served us with three cotton blankets each, and drove us off to our cells for the night. The doors were locked on the outside a little before seven in the ...
Page 9
... took the road, hastening to get out of sight of the spike and its discipline. This was our interim of freedom. After a day and two nights of wasted time we had eight hours or so to take our recreation, to scour the roads for cigarette ...
... took the road, hastening to get out of sight of the spike and its discipline. This was our interim of freedom. After a day and two nights of wasted time we had eight hours or so to take our recreation, to scour the roads for cigarette ...
Contents
1 | |
11 | |
23 | |
29 | |
38 | |
Marrakech | 44 |
My Country Right or Left | 52 |
War time Diary | 59 |
Revenge Is Sour | 184 |
The Case for the Open Fire | 189 |
The Sporting Spirit | 193 |
In Defence of English Cooking | 198 |
A Nice Cup of Tea | 201 |
The Moon Under Water | 205 |
In Front of Your Nose | 209 |
Some Thoughts on the Common Toad | 214 |
England Your England | 109 |
Dear Doktor Goebbels Your British Friends are Feeding Fine | 139 |
Looking Back on the Spanish War | 143 |
As I Please 1 | 167 |
As I Please 2 | 172 |
As I Please 3 | 175 |
As I Please 16 | 180 |
A Good Word for the Vicar of Bray | 219 |
Why I Write | 224 |
How the Poor Die | 232 |
Such Such Were the Joys | 245 |
Notes | 296 |
Other editions - View all
Common terms and phrases
actually American army believe bombs bread Britain British Burmese Days cell child Cyprian’s Cyril Connolly Daily Worker doubt early elephant England English essays eyes face fact Fascist feeling fight fire Flip France Fredric Warburg French German hand happened Hitler Homage to Catalonia Home Guard intelligentsia Italian Jews killed kind knew labour later less live London look man’s memory merely Moon Under Water morning Nazis never newspaper night one’s Orwell Orwell’s papers party patriotism perhaps Pétain political prison probably raids remember rifle round Russian Sambo seemed shoot Shooting an Elephant shot side simply soldiers sort Spain Spanish Spanish civil war spike stories talk thing thought tion took Tramp Major turned Vicar of Bray whole words writing