Sanskrit Poetics: A Critical and Comparative Study |
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Page 49
... BEAUTY In the Sanskrit tradition , poetics has occasionally been referred to as the science of beauty ( Saundarya Sastra ) . The words for beauty are Saundarya , Charutva , Chamatkara , etc. But the general tendency is to play down the ...
... BEAUTY In the Sanskrit tradition , poetics has occasionally been referred to as the science of beauty ( Saundarya Sastra ) . The words for beauty are Saundarya , Charutva , Chamatkara , etc. But the general tendency is to play down the ...
Page 50
... beauty to higher aims , so likewise the artist must render it sub- ordinate to his general design and not pursue it farther than truth and expression permit . Enough that , through these two , what is most ugly and beautiful in nature ...
... beauty to higher aims , so likewise the artist must render it sub- ordinate to his general design and not pursue it farther than truth and expression permit . Enough that , through these two , what is most ugly and beautiful in nature ...
Page 51
... beauty which I shall defend , " writes Reid , 113 " will be that beauty is perfect expressiveness . " A vexed question which repeatedly crops up in aesthetic theory is whether or not beauty has an objective status . Since the concept of ...
... beauty which I shall defend , " writes Reid , 113 " will be that beauty is perfect expressiveness . " A vexed question which repeatedly crops up in aesthetic theory is whether or not beauty has an objective status . Since the concept of ...
Contents
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Copyright | |
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Common terms and phrases
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body called century character claim clarifies clear complete concept consciousness context created creation creative Criticism defined delight desire Dhvani distinction drama emotion evolution existence experience expression fact feeling figure function further Gita gives heart higher human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living material matter meaning mind moral nature object organism perception play poem poet poetry possible practical present principle profound pure Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seeks seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole writer wrote