The Feminist Spectator as CriticExtends the feminist analysis of representation to the realm of performance |
Contents
The Discourse of Feminisms The Spectator and Representation | 1 |
Feminism and the Canon The Question of Universality | 19 |
Ideology in Performance Looking through the Male Gaze | 41 |
The Dynamics of Desire Sexuality and Gender in Pornography and Performance | 59 |
Cultural Feminism and the Feminine Aesthetic | 83 |
Materialist Feminism ApparatusBased Theory and Practice | 99 |
Afterword | 119 |
Notes | 123 |
| 145 | |
| 151 | |
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Common terms and phrases
aesthetic Albert Nobbs American Theatre artistic audience becomes Benmussa's Brecht Brechtian Broadway canon chapter character Cinema Cixous constructed context critique cultural feminism cultural feminist performance cultural feminist theatre deconstruction drama Echols fantasy female body feminine Feminist Criticism film Finley foregrounds Gayle Rubin gender roles Gussow Hélène Cixous heterosexual ideology images implies issue Jessie Jessie's Kathy Bates Laura Mulvey Lauretis lesbian performance lesbian sexuality liberal feminism liberal feminist male desire male spectator mance Manheim Marsha Norman materialist feminist meanings Mother mother/daughter Mulvey narrative night Norman Norman's play nude Ontological-Hysteric PAIN(T performance art perspective play's political pornography position Press psychoanalysis radical radical feminism realism relationship representational apparatus Review Richard Foreman Rubin sexual and gender sexual difference spectator's Split Britches story Sue-Ellen Teresa de Lauretis theatrical Thelma theory tion traditional universal visual pleasure voice woman Women & Performance Women and Theatre women playwrights Women's Wear Daily writing York