The Oxford Handbook of Dance and Ethnicity

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Anthony Shay, Barbara Sellers-Young
Oxford University Press, Apr 20, 2016 - Performing Arts
Dance intersects with ethnicity in a powerful variety of ways and at a broad set of venues. Dance practices and attitudes about ethnicity have sometimes been the source of outright discord, as when African Americans were - and sometimes still are - told that their bodies are 'not right' for ballet, when Anglo Americans painted their faces black to perform in minstrel shows, when 19th century Christian missionaries banned the performance of particular native dance traditions throughout much of Polynesia, and when the Spanish conquistadors and church officials banned sacred Aztec dance rituals. More recently, dance performances became a locus of ethnic disunity in the former Yugoslavia as the Serbs of Bosnia attended dance concerts but only applauded for the Serbian dances, presaging the violent disintegration of that failed state. The Oxford Handbook of Dance and Ethnicity brings together scholars from across the globe in an investigation of what it means to define oneself in an ethnic category and how this category is performed and represented by dance as an ethnicity. Newly-commissioned for the volume, the chapters of the book place a reflective lens on dance and its context to examine the role of dance as performed embodiment of the historical moments and associated lived identities. In bringing modern dance and ballet into the conversation alongside forms more often considered ethnic, the chapters ask the reader to contemplate previous categories of folk, ethnic, classical, and modern. From this standpoint, the book considers how dance maintains, challenges, resists or in some cases evolves new forms of identity based on prior categories. Ultimately, the goal of the book is to acknowledge the depth of research that has been undertaken and to promote continued research and conceptualization of dance and its role in the creation of ethnicity. Dance and ethnicity is an increasingly active area of scholarly inquiry in dance studies and ethnomusicology alike and the need is great for serious scholarship to shape the contours of these debates. The Oxford Handbook of Dance and Ethnicity provides an authoritative and up-to-date survey of original research from leading experts which will set the tone for future scholarly conversation.

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International Dance
Class Performance Black Urban
Do You Want to See My Hornpipe? Creativity and Irish Step
Jewishness Ethnicity
Is There
Preserving and Revitalizing Dances
The Tango de Negros in Spains Romantic
The Case Study of Boris
Purveyor of the Dancing Other
Ethnic Identity and Stereotype
Rhythmic Identities and Inventive Dance
The San Francisco Ethnic Dance
From Kali Vrisi Northern Greece

Nihon Buyô as Ethnic Dance
Muslim Macedonian
Folk Dance Americanization and
Imagining Race Nation Class and Gender
Perception Connections and Performed Identities in American
Will Ballet Forever Be the Kingdom of
Men and the Happiness Dance
Parallel Dance Traditions
Indigenous Diasporic Islam
An Ethno
Black Dance after Race

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About the author (2016)

Anthony Shay is Assistant Professor of Dance and Cultural Studies at Pomona College. He is the author of Choreographic Politics: State Folk Dance Ensembles, Representation and Power (2002), amongst other single-authored books, and co-editor (with Jennifer Fisher) of When Men Dance: Choreographing Masculinities Across Borders (2009). Barbara Sellers-Young is a Professor in the Dance Department at York University. Her books include two single-authored books: Teaching Personality with Gracefulness (1993) and Breathing, Movement, Exploration (2001) and three edited volumes including Embodied Consciousness: Technologies of Performance (2013).

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