1 Lord. There's an Italian come, and 'tis thought, one of Leonatus' friends. Cloten. Leonatus! A banished rascal; and he's another, whatsoever he be. Who told you of this stranger? 1 Lord. One of your lordship's pages. Cloten. Is it fit, I went to look upon him? Is there no derogation in it? 2 Lord. You cannot derogate, my lord. Come, I'll go see this Italian; and if he'll play, [Exeunt. SCENE III. A Bed-chamber.-In one part of it a Trunk. IMOGEN reading in her Bed.-HELEN attending. Imog. Who's there? my woman Helen? Helen. Please you, madam,— Imog. What hour is it? Helen, Almost midnight, madam. Imog. I have read three hours then: mine eyes are Fold down the leaf where I have left: To bed: Take not away the taper, leave it burning; [Exit HELEN. To your protection I commend me, gods! [Sleeps. IACHIMO comes out of the Trunk. Iach. The crickets sing, and man's o'erlabour'd sense Repairs itself by rest: Our Tarquin thus How bravely thou becom'st thy bed! fresh lily! "Tis her breathing that Perfumes the chamber thus: The flame o' the taper Under these windows: White and azure, lac'd The adornment of her bed ;-The arras, figures, Ah, but some natural notes about her body, To what end? Why should I write this down, that's riveted, 5 Screw'd to my memory? She hath been reading late One, two, three:-Time, time! [Clock strikes. [Goes into the Trunk.-The Scene closes. SCENE IV. CYMBELINE'S Palace. Enter CLOTEN and the Two LORDS. 1 Lord. Your lordship is the most patient man in loss, the coldest that ever turned up ace. Cloten. It would make any man cold to lose. 1 Lord. But not every man patient, after the noble temper of your lordship: You are most hot, and furious, when you win. Cloten. Winning will put any man into courage. If I could get this foolish Imogen, I should have gold enough: It's almost morning, is't not? 2 Lord. Day, my lord. Cloten. I would the maskers and musicians were come; I am advised to give her music o' mornings; they say, it will penetrate. [A Flourish of Music within. 1 Lord. Here they are, my lord. Cloten. Come, let's join them. [Exeunt. SCENE V. An Antechamber to IMOGEN's Apartment. Enter CLOTEN, the Two LORDS, MUSICIANS, as MASKERS. Cloten. Come on, tune first a very excellent good conceited thing, after a wonderful sweet air, with admirable rich words to it, and then let her consider. SONG. Hark! hark! the lark at heaven's gate sings, His steeds to water at those springs And winking Mary-buds begin To ope their golden eyes; With every thing that pretty bin; Cloten. So, get you gone :-if this penetrate, I will consider your music the better; if it do not, it is a vice in her ears, which horse-hairs, and cats'-guts, nor the voice of eunuch to boot, can never amend. Come, now to our dancing. Enter DANCERS. And if she is immoveable with this, she is an immoveable princess, and not worth my notice. A Dance of MASKERS. Cloten. Leave us to ourselves. [Exeunt LORDS, &c. If she be up, I'll speak with her; if not, Let her lie still, and dream.-By your leave, ho! [Knocks. I know her women are about her; What, Their deer to the stand of the stealer: and 'tis gold What Can it not do and undo? I will make Enter HELEN. Helen. Who's there, that knocks? Cloten. A gentleman. Helen. No more? Cloten. Yes, and a gentlewoman's son. Helen. That's more [Knocks. Than some, whose tailors are as dear as yours, Can justly boast of: what's your lordship's pleasure? Cloten. Your lady's person: Is she ready? Helen. Ay, to keep her chamber. Cloten. There's gold for you; sell me your good report. Helen. How? my good name? or to report of you What I shall think is good? The princess Enter IMOGEN. Cloten. Good morrow, fairest sister: Your sweet hand. [Exit HELEN. |