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G.
Genius, Guardian, 183, &c.
Gorboducke, a play, 62, n.
Gothick chivalry, 21, &c. See Englishmen.
Government, popular, its influence on arts and sciences, B. I.

Sect. XV.
Grave writers, 97, 98. Gravity and humour blended in the

greateft characters, ibid.
Greek writers, their excellency, 124. The only models for

improvement of taft, B. II. Sect. I. 'How so many came
to be destroyed, 18, 19, & n. Ancient Greek language,

what ? 364. How written in Homer's time, 175, n.
GREGORY the Great, burnt the Palatine library, 18.

H.
Hand, for power, 224.
Haver, having, 321.
Hell, variety of torments there, 218, &c.
HELIODORUS,

268.
HESYCHIUS, illustrated, 216.
Hieronymo, or the Spanish tragedy, a play ridiculed by

Shakespeare and Johnson, 284.
High and low life, 86.
Hobbes, noted, 84.
HOMER, a specimen of the manner in-which his poem was

anciently writ, 175, n.
An Account of his editor Aristarchus, 132, 133,

220, 221, n.
Pasages explained, 48, n. 224, 225, n. 237.

corrected, 43, 44, n. 219, 220, n.
Honesty, whether requisite in a poet, B. I. Sect. XI. 130.
HORACE, bis character, 124, n.

A flatterer of O&tavius, 124.
Dwells too long on the fatyric drama, 101, n.
Palages illustrated, 25, 26, n. 307.

HORACI,

HORACE, explained and defended, 89, & n. 108, 109, &n.

398.
Some of his odes corrected and explained, 165, 166,
167, 168.

corrected, 194
Hospitality, sacred, 31, n.
Human nature, 68, 69.
Humour and gravity, seldom found mixed in the same cba-
racter, 97

L.
JAMES, first, king, complemented by Shakespeare, 39.
Jealousy, B. I. Sect. VII.
In, in composition, 305, 306.
Inspiration, poetical, 4, & n.
Interesting subjects of poetry, what ? 31, 46, 69.
John, St. explained, 352.
JOHNSON, Ben. bis Masque at Whitehall, 38, n.

Every man in his humour, explained, 63, 64, n.

244.
Every man out of his humour, explained, 64; 135
136, n. 147,

corrected 65; 112, n.
Volpone, illustrated, 81, 82.

corrected, 405.
Cynthia's Revels, explained, 147, n.
Silent Woman, corrected, 185, n. 197.

explained, 307, n.
Alchymist, explained, 289, n. 395.
The Devil's an Afs, corrected and explained, 394.
In his poems, explained, 149, n.
Catiline, corrected, 405, 406.

Heretio fyllabarum, 408, &c. See Alliteration.
JULIAN, his Caefars explained, 120, 121, n. Corrected,
153, n. Explained and corre&ted, 279, 280.

Kalara

n.

E e 3

K.
Kala Caras 9sés, 223.
Κήριναι ευπολήψεις, 32.
Knight-crrantry. See Chivalry.

L.

LABERIUS, bis mimes, 101, n.
Ladies, the upper-hand given them, and allowed to wear
fine cloaths, for what reason, 72, n.

Lovers of finery,
71, 72, n.

Nature of fine Ladies, 29. 30.
Latin page writers, 122, 130. Latin authors, 130, 131.
Liberty, its influence on literature, B. I. Sect. XV. On

dramatic poetry, 98, 99, 122.
LONGINUS, noted, 83, n. Corrected, 255, 256.
Love, a comic pafion, 7, & n. Love and honor, ibid.
LUCRETIUS explained, xxvi.
Ludcre, meaning of the word, 307.
Lyes, hor necesary in poetry, 23, & n. Probable lyes bet-
ter than improbable truths, 27, n.

M.
Machines, poetic, 44, 45, n.
Magic, poetic, 97.
To make, a maker, a poet, 135, & n.
Man, character of man in general, 68, 69.
Man-science, 69.
Manners, poetic, B. I. Sect. X.
MARTIAL, expinined, 139.
Mirvellous, see Admiration.
Milk, an account of the ancient, 103, 104.
MAXIMUS TYRIUS, explained and corrected, 271, 272.
Mciosis, a figure used by Shakrspeare, 149.
Men of wit, 97, 98.
MINANDER, his rifi and charazlcr, 120, 121. Ilow his

plroys come to be difroyed, 19, & n.
Mctaphors, mixed, 37, 398.

MILTON,

Milton, Spencer and Shakespeare his originals, 365. Bore

rows from Shakespeare, 411, 412.
Often repeats the same letter, 267, 268.
Jingling terminations, whether to be found in his

Paradise Lojt, 391.
His broken verses, how artful, 366, &c.
His character of the Devil, 66, 67.
A fine inftance of the suitableness of character

in Eve, 70.
Tincture of Vanity in Eve, bow finely and tex-

derly touched, 72, n.
The Paradise Lost, bow far a picture of his

own times, 140, &c.
Pallages illustrated, 96, & n. 141, 142, 143,

218, 264, n. 401, 402, 411, 412.
explained, 152, & n. 189, 190, & n, 217,

237, & n. 308, 309, 313, n. 337, 349,

390, 397, 401, 402, 411, 412. xxviii, &c.
Defended and explained, 158, & n. 227, 228,

334, 337, 338, n. 343, 344, 355, 359,

366, n.
Corrected and explained, 198, 202, 230, 402,

403.
A better reading proposed, 152, 153.
Samson Agonistes, 144. Corrested, 407, 408.

In his sonnets corrected, 408.
Misanthrope, 68, 69.
Mocker, 397
Models, for taft, 130, 131.
Monofyllables, frequent in the ancient Greek language, 364
Monftrous characters, how far allowable in poetry, 67.
Moral painting in poetry, 84.
Moralities, 99, & n.

MURETUS,

Ee 4

MURETUS, how far be imposed on Scaliger, 290. Plato's

and Cicero's opinion of them, ibid.
Mysteries, 99, & n.

N.
Nature and truth to be studied, not fashion and custom, 86,

385, 386. Human nature, 68, 69.
Natural character, 30, 31, 68, 69.
Nepenthe, 42, n.
Notion, 229.

0.
Octavius, his character, 75, 76, 122.
Opololínsula, 12, n. See Rimes.
Ovid, In Metamorp. corrected, 155, 156, n. 305, 306, n.

explained, 325, n.
In Epiftol. explained, 180, n.

corrected, 260.
Amor, correétid and explained, 190, 191.
Art. Amat. explained, 307, n.

P.
Palatine library, burnt, 18, n.
Παράβασις, 119, η.
Parodies, 120, n.
IIæ pópolov, a fgure ridiculed in Shakespeare, 268. See Al.

literation.
Phallic, 110, & n.
Odradia, a fine infance of that figure, 36, & n.
PHILEMON, correéted, 290, n.
Piers PLOWMAN, cited, 410.
Plato, bis opinion of music, 17. His opinion of human

nature, 68, 69. His great art in the suitableness

of character, 70.
His Gorgias explained, 114, 115, 263, 264.

To cited, 4, n.
Symposium explained, 98, 263..

PLATO,

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