Critical Observations on ShakespeareAMS Press, 1748 - 411 pages |
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Page 14
... καὶ πρὸς τὰς πολίτας τὸ αὐτὸ πάσχασι καὶ πρὸς τὴν λέξιν : and in his poetics , Κίφ . κβ . Δέξεως δὲ ἀρετὴ και τα σεμνὴ δὲ καὶ ἐξαλλάτωσα τὸ ἰδιωτικὸν , rò à τοῖς ξενικοῖς κεχρημένη . The words x , and ή Mould change places , and the ...
... καὶ πρὸς τὰς πολίτας τὸ αὐτὸ πάσχασι καὶ πρὸς τὴν λέξιν : and in his poetics , Κίφ . κβ . Δέξεως δὲ ἀρετὴ και τα σεμνὴ δὲ καὶ ἐξαλλάτωσα τὸ ἰδιωτικὸν , rò à τοῖς ξενικοῖς κεχρημένη . The words x , and ή Mould change places , and the ...
Page 17
... καί ἐγώ πείθομαι . De Repub . L. IV . p . 424. Edit . Steph . Το the fame purpofe the philologift Dio , Orat . 33. p ... και τηλι καύτην ἡγῆνο δύναμιν τὴν ἀκοὴν ἔχειν , ὥτεθηλύνειν τὴν διάνοιαν , καὶ ἀδικεῖσθαι τὰ τῆς σωφροσύνης , εἰ ...
... καί ἐγώ πείθομαι . De Repub . L. IV . p . 424. Edit . Steph . Το the fame purpofe the philologift Dio , Orat . 33. p ... και τηλι καύτην ἡγῆνο δύναμιν τὴν ἀκοὴν ἔχειν , ὥτεθηλύνειν τὴν διάνοιαν , καὶ ἀδικεῖσθαι τὰ τῆς σωφροσύνης , εἰ ...
Page 43
... ΚΑΙ ΑΥΤΙΚΑ ΟΛΥΜΠΙΟΣ ΟΥΚ ΕΤΕΛΕΣΣΕΝ ΕΚ ΤΕ ΚΑΙ ΟΨΕ ΤΕΛΕΙ . What , 1 Hom . II . . 160 , & c . Agamemnon foon after ... καὶ βασιλεῦσι καὶ τυράννοις αἱ τραγῳδίας ...
... ΚΑΙ ΑΥΤΙΚΑ ΟΛΥΜΠΙΟΣ ΟΥΚ ΕΤΕΛΕΣΣΕΝ ΕΚ ΤΕ ΚΑΙ ΟΨΕ ΤΕΛΕΙ . What , 1 Hom . II . . 160 , & c . Agamemnon foon after ... καὶ βασιλεῦσι καὶ τυράννοις αἱ τραγῳδίας ...
Page 44
... γέγονεν , ( ἃ εχ οἷόν τι αν- θρωπον εἰδέναι , ) ἡ ὅσα ύσερον , ἃ δεῖται προαΓυρεύσεως και άγγε 2 λίας , ghoft of the murdered king was usually seen to walk 44 Book I. Critical Obfervations Thus is Hamlet made an inftrument by provi- ...
... γέγονεν , ( ἃ εχ οἷόν τι αν- θρωπον εἰδέναι , ) ἡ ὅσα ύσερον , ἃ δεῖται προαΓυρεύσεως και άγγε 2 λίας , ghoft of the murdered king was usually seen to walk 44 Book I. Critical Obfervations Thus is Hamlet made an inftrument by provi- ...
Page 103
... καὶ τὸν λόγον πρ . παρεσκεύασε και σκηνογρα φίαν τρεῖς δὲ Σοφοκλῆς . And this is their meaning , Aefchylus firft increased the number of the actors , bringing two on the ftage , instead of one ; and shortened the fongs of the chorus ...
... καὶ τὸν λόγον πρ . παρεσκεύασε και σκηνογρα φίαν τρεῖς δὲ Σοφοκλῆς . And this is their meaning , Aefchylus firft increased the number of the actors , bringing two on the ftage , instead of one ; and shortened the fongs of the chorus ...
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Common terms and phrases
A& III acatalectic Aeschylus againſt allufion ancient Antony and Cleopatra becauſe beſt Brutus called cauſe character Cicero comedy Coriolanus criticiſm critics Cymbeline edition Engliſh Euripides expreffion fame fays feems fenfe fhall fhew fignifies firſt fome foul fpeaking fubject fuch Greek Hamlet hath Hence Henry himſelf Homer honour Horace inftances itſelf Johnſon Julius Caefar juſt king King Lear Latin likewife Lycaonia Macbeth manners Meaſure mention'd Milton moft moſt muſt obfervations Othello Ovid paffage paffions perfon Plato Plautus play pleaſe Plutarch poet preſent raiſe reader reaſon ſay ſcene ſee ſeems Shakeſpeare ſhall ſhould ſome Sophocles ſpeaking Spencer ſtage ſtory thee thefe Theobald Theocritus theſe thing thofe thoſe thou tranflation twas ufes uſed verfe verſes Virgil whoſe word write γὰρ δὲ εἰ ἐκ ἐν καὶ μὲν πρὸς τὰ τε τὴν τῆς τὸ τὸν τῷ τῶν ὡς