Critical Observations on ShakespeareAMS Press, 1748 - 411 pages |
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Page v
... Perhaps all attempts , to reduce fo irregular an art to any regular method , might deferve a place among the many impracticable fchemes with which our nation abounds . But yet while I perceived critics fo numerous , ( for who more or ...
... Perhaps all attempts , to reduce fo irregular an art to any regular method , might deferve a place among the many impracticable fchemes with which our nation abounds . But yet while I perceived critics fo numerous , ( for who more or ...
Page ix
... anfwers to its original , allouër , à louer , laudare . II . Fairfax perhaps may be of fome authority with our commentator , for I find his name used to au- thorize thorize an interpretation of a passage in Antony and Cleopatra PREFACE .
... anfwers to its original , allouër , à louer , laudare . II . Fairfax perhaps may be of fome authority with our commentator , for I find his name used to au- thorize thorize an interpretation of a passage in Antony and Cleopatra PREFACE .
Page xxiv
... perhaps had as much learning as fome critics ) I always thought infant and child were convertible terms : at least the learned Spencer thought fo , who calls ARTHEGAL , the bold child . B. 5. c . 8. ft . 32. And old B. 5 : xxiv PREFACE ...
... perhaps had as much learning as fome critics ) I always thought infant and child were convertible terms : at least the learned Spencer thought fo , who calls ARTHEGAL , the bold child . B. 5. c . 8. ft . 32. And old B. 5 : xxiv PREFACE ...
Page xxx
... perhaps , to that faying , Uxor fulget radiis Mariti : which for the fake of the female reader I tranflate in Shakespeare's words , The wife only shines in her husband's bright radiance and collateral light . VII . 1 To The above ...
... perhaps , to that faying , Uxor fulget radiis Mariti : which for the fake of the female reader I tranflate in Shakespeare's words , The wife only shines in her husband's bright radiance and collateral light . VII . 1 To The above ...
Page xliii
... perhaps into the HAZARD runne . THE two following notes are really below our editor's writing , ( I compliment him when I say so . ) One of them is in the Tempest , Act II . where Tri- culo finding the monster Caliban fays , " were I in ...
... perhaps into the HAZARD runne . THE two following notes are really below our editor's writing , ( I compliment him when I say so . ) One of them is in the Tempest , Act II . where Tri- culo finding the monster Caliban fays , " were I in ...
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A& III acatalectic Aeschylus againſt allufion ancient Antony and Cleopatra becauſe beſt Brutus called cauſe character Cicero comedy Coriolanus criticiſm critics Cymbeline edition Engliſh Euripides expreffion fame fays feems fenfe fhall fhew fignifies firſt fome foul fpeaking fubject fuch Greek Hamlet hath Hence Henry himſelf Homer honour Horace inftances itſelf Johnſon Julius Caefar juſt king King Lear Latin likewife Lycaonia Macbeth manners Meaſure mention'd Milton moft moſt muſt obfervations Othello Ovid paffage paffions perfon Plato Plautus play pleaſe Plutarch poet preſent raiſe reader reaſon ſay ſcene ſee ſeems Shakeſpeare ſhall ſhould ſome Sophocles ſpeaking Spencer ſtage ſtory thee thefe Theobald Theocritus theſe thing thofe thoſe thou tranflation twas ufes uſed verfe verſes Virgil whoſe word write γὰρ δὲ εἰ ἐκ ἐν καὶ μὲν πρὸς τὰ τε τὴν τῆς τὸ τὸν τῷ τῶν ὡς