Papers on Literature and Art, Parts 1-2Wiley and Putnam, 1846 - American literature |
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Page 4
... beauty the power of appreciating beauty . And of making others appreciate it ; for the universe is a scale of infinite gradation , and , below the very highest , every step is explanation down to the lowest . Religion , in the two ...
... beauty the power of appreciating beauty . And of making others appreciate it ; for the universe is a scale of infinite gradation , and , below the very highest , every step is explanation down to the lowest . Religion , in the two ...
Page 12
... Beauty loving itself , -Happiness ! CRITIC . Does not this involve consciousness ? РОЕТ . Yes ! consciousness of Truth manifested in the indi . vidual form . CRITIC . Since consciousness is tolerated , how will you limit it ? POET . By ...
... Beauty loving itself , -Happiness ! CRITIC . Does not this involve consciousness ? РОЕТ . Yes ! consciousness of Truth manifested in the indi . vidual form . CRITIC . Since consciousness is tolerated , how will you limit it ? POET . By ...
Page 16
... lives . There was a family likeness between them , for they shared in that beauty of the noble English blood , of which , in these days , few types remain : the Norman tempered by the Saxon 16 PAPERS ON LITERATURE AND ART .
... lives . There was a family likeness between them , for they shared in that beauty of the noble English blood , of which , in these days , few types remain : the Norman tempered by the Saxon 16 PAPERS ON LITERATURE AND ART .
Page 17
... beauty . There is no longer , in fact , an aristocracy in England , because the saplings are too puny to rep- resent the old oak . But that it once existed , and did stand for what is best in that nation , any collection of portraits ...
... beauty . There is no longer , in fact , an aristocracy in England , because the saplings are too puny to rep- resent the old oak . But that it once existed , and did stand for what is best in that nation , any collection of portraits ...
Page 30
... H. - I cannot say to you truly that my mind replies to this , although I discern a beauty in it . You will say I lack hu- mility to understand yours . George H. - I will say nothing , but leave 30 PAPERS ON LITERATURE AND ART .
... H. - I cannot say to you truly that my mind replies to this , although I discern a beauty in it . You will say I lack hu- mility to understand yours . George H. - I will say nothing , but leave 30 PAPERS ON LITERATURE AND ART .
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Common terms and phrases
admiration Ambla Artevelde artist Bach beauty Beethoven better breast brother calm character Charles Wesley charm child clavichord critic Dædalus deep delight divine drama earth expression eyes faith fancy feel felt flowers fugue genius give grace Handel happy harmony harpsichord Haydn hear heart heaven honour hope hour human intellectual interest John Sebastian less light literature lives look Lord Madame de Staël means measured music melody mind misanthropy Mozart muse nature never noble o'er Paracelsus passages passion perfect Philip Van Artevelde picture play pleasure poems poet poetic poetry present Prince reverence rich scene seems Senesino Shakspeare Sir James Mackintosh song soul speak spirit Strafford SWEDENBORGIANISM sweet sympathy taste tears tender thee things thou thought tion tone true truth verse whole wish words Wordsworth write
Popular passages
Page 71 - What thou art we know not: What is most like thee ? From rainbow clouds there flow not Drops so bright to see, As from thy presence showers a rain of melody. Like a poet hidden In the light of thought, Singing hymns unbidden, Till the world is wrought To sympathy with hopes and fears it heeded not...
Page 72 - Teach us, sprite or bird, What sweet thoughts are thine: I have never heard Praise of love or wine That panted forth a flood of rapture so divine.
Page 37 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Page 40 - In speech (which I have not) to make your will Quite clear to such an one, and say, "Just this "Or that in you disgusts me; here you miss, "Or there exceed the mark...
Page 87 - A grief without a pang, void, dark, and drear, A stifled, drowsy, unimpassioned grief, Which finds no natural outlet, no relief, In word, or sigh, or tear O Lady!
Page 74 - Round whose rude shaft dark ivy-tresses grew Yet dripping with the forest's noonday dew, Vibrated, as the ever-beating heart Shook the weak hand that grasped it; of that crew He came the last, neglected and apart; A herd-abandoned deer struck by the hunter's dart.
Page 74 - A love in desolation masked— a Power Girt round with weakness — it can scarce uplift The weight of the superincumbent hour ; It is a dying lamp, a falling shower, A breaking billow ; — even whilst we speak Is it not broken ? On the withering flower The killing sun smiles brightly ; on a cheek The life can burn in blood, even while the heart may break.
Page 157 - Rise the blue Franconian mountains, Nuremberg, the ancient, stands. Quaint old town of toil and traffic, quaint old town of art and song, Memories haunt thy pointed gables, like the rooks that round them throng: Memories of the Middle Ages, when the emperors, rough and bold, Had their dwelling in thy castle, time-defying, centuries old; And thy brave and thrifty burghers boasted, in their uncouth rhyme, That their great imperial city stretched its hand through every clime.
Page 72 - What objects are the fountains Of thy happy strain? What fields or waves or mountains? What shapes of sky or plain? What love of thine own kind? what ignorance of pain? With thy clear keen joyance Languor cannot be; Shadow of annoyance Never came near thee; Thou lovest, but ne'er knew love's sad satiety.
Page 88 - To lift the smothering weight from off my breast? It were a vain endeavour, Though I should gaze for ever On that green light that lingers in the west: I may not hope from outward forms to win The passion and the life, whose fountains are within.