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an idea, it is copied from one worn by a courtier of Charles's train, in the engravings illustrative of his coronation. The boot is decorated with lace all round the upper part, and that portion of the leg which the boot encases, seems fitted easily with pliant leather: over the instep is a broad band of the same material, beneath which the spur was fastened ; and the heel is high, and toe broad, of all the boots and shoes then fashionable.

A boot of the end of this reign, forms fig. 7, of our third plate, and is copied from a pair which hang up in Shottesbrooke church, Berkshire, above a tomb, in accordance with the old custom, of burying a knight with his martial equipments over his grave, originally consisting of his shield, sword, gloves, and spurs, the boots being a later and more absurd introduction. The pair which we are now describing, are formed of fine buff leather, the tops are red, and so are the heels, which are very high, the toes being cut exceedingly square.

With the great revolution of 1688, and his majesty William III., came in the large jack-boot, and the high-quartered, high-heeled, and buckled shoe, which only expired at the end of the last century. Sir Samuel Rush Meyrick, has one of these jackboots in his collection of armor, at Goodrich court; and it has been engraved in his work on ancient

arms and armor, from which it is copied in plate III., fig. 8. It is a remarkably fine specimen of these inconvenient things, and is as straight and stiff and formal, as the most inveterate Dutchman could wish. The heel it will be perceived is very high, and the press upon the instep very great, and consequently injurious to the foot, and altogether detrimental to comfort. An immense piece of leather covers the instep, through which the spur is affixed, and to the back of the boot, just above the heel, is appended an iron rest for the spur. Such were the boots of the English cavalry and infantry, and in such cumbrous articles did they fight in the low countries, following the example of Charles XII., of Sweden, whose figure has become so identified with them, that the imagination can not easily separate the sovereign from the boots in which he is so constantly painted, and of which a specimen may be seen in his full-length portrait, preserved in the British museum.

A boot was worn by civilians, less rigid than the one last described, the leg taking more of the natural shape, and the tops being smaller, of a more pliant kind, and sometimes slightly ornamented

round the edges.

We have here two examples of ladies' shoes, as worn during the period of which we are discussing.

The first figure, copied from volume 67, of the “Gentleman's Magazine," shows the peculiar shape of the shoe, as well as the clog beneath ; these clogs were merely single pieces of stout

leather, which were fastened beneath the heel and instep, and appear to be only extra hinderances in walking, which must materially have destroyed any little pliancy which the original shoe would have allowed the foot to retain. The second figure is copied from the first volume of “Hone's Every Day Book," and that author says, « This was the fashion that beautified the feet of the fair, in the reign of King William and Queen Mary.” Holme, in his “ Academy of Armory,” is minutely diffuse on the gentle craft: he engraves the form of a pair of wedges, which he says "is to raise up a shoe in the instep, when it it is too straight for the top of the foot ;' and thus compassionates ladies' sufferings : “Shoemakers love to put ladies in their stocks, but these wedges, like merciful justices, upon complaint, soon do ease and deliver them. If the eye turns to the cut-to the cut of the sole,

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