The literary works of sir Joshua Reynolds. To which is prefixed a memoir by H.W. Beechey, Volume 2 |
From inside the book
Results 1-5 of 100
Page
... Painters of the two last ages Parallel between Poetry and Painting .......... ........... 237 297 377 ............ 419 Epistle to Mr. Jervas , with Fresnoy's Art of Painting , trans- lated by Mr. Dryden Chronological List of Painters ...
... Painters of the two last ages Parallel between Poetry and Painting .......... ........... 237 297 377 ............ 419 Epistle to Mr. Jervas , with Fresnoy's Art of Painting , trans- lated by Mr. Dryden Chronological List of Painters ...
Page 17
... Painter , by uniting and losing it in the ground , so that it shall not in the least entangle and confuse the figure ... Painters in historical compositions . To do this he has no other means than by making the distant figures of less ...
... Painter , by uniting and losing it in the ground , so that it shall not in the least entangle and confuse the figure ... Painters in historical compositions . To do this he has no other means than by making the distant figures of less ...
Page 18
... Painters , for this was an art with which they appear to have been entirely unacquainted : and in the bas - re- lievos of Lorenzo Ghiberti , the casts of which we have in the Academy , this art is no more attempted than it was by the ...
... Painters , for this was an art with which they appear to have been entirely unacquainted : and in the bas - re- lievos of Lorenzo Ghiberti , the casts of which we have in the Academy , this art is no more attempted than it was by the ...
Page 22
... Painter . What- ever sublime ideas may fill his mind , he is a Painter only as he can put in practice what he knows , and communicate those ideas by visible representation . If my expression can convey my idea , I wish to dis- tinguish ...
... Painter . What- ever sublime ideas may fill his mind , he is a Painter only as he can put in practice what he knows , and communicate those ideas by visible representation . If my expression can convey my idea , I wish to dis- tinguish ...
Page 25
... Painter is concerned with them , are , the outline or drawing , the colour , and the light and shade . The drawing ... painters whom we consider as patterns , we shall find that their great fame does not proceed from their works being ...
... Painter is concerned with them , are , the outline or drawing , the colour , and the light and shade . The drawing ... painters whom we consider as patterns , we shall find that their great fame does not proceed from their works being ...
Common terms and phrases
admirable Albert Durer altar ancient Andrea Antwerp appears artist atque attention beauty called Caracci Caravaggio certainly character Christ church colouring composition Correggio defect detto disposition Domenichino Domenico Feti drapery drawing drawn effect equal excellence expression figures finished Francesco Francis Fresnoy genius Giacomo give grace grandeur hand head History Bologna History Florence idea imagination imitation invention Jan Steen John Jordaens judgment kind Landsc landscape light and shadow likewise looking LUCA GIORDANO Ludovico Carracci Magdalen manner Masaccio master means Michael Angelo mind nature noble object observed ornament Painter passions Paul Veronese perfect perhaps Pietro Pietro Perugino Poem Poet Poetry portrait possessed principal produce Prospero Fontana quæ racter Rafaëlle Raffaelle Rembrandt represented Rome Rubens Rubens's rules Saint Sculpture shade spectator style taste Teniers thing tint Tintoret tion Titian truth ture Vandyck Venice VERSE Virgin whole
Popular passages
Page 133 - The Italian, attends only to the invariable, the great and general ; ideas which are fixed and inherent in universal nature; the Dutch, on the contrary, to literal truth and a minute exactness in the detail, as I may say, of nature modified by accident. The attention to these petty peculiarities is the very cause of this naturalness so much admired in the Dutch pictures, which, if we suppose it to be a beauty, is certainly...
Page 136 - Among the various reasons why we prefer one part of her works to another, the most general, I believe, is habit and custom : custom makes, in a certain sense, white black, and black white ; it is custom alone determines our preference of the colour of the Europeans to the .(Ethiopians, and they, for the same reason, prefer their own colour to ours.
Page 134 - As we are then more accustomed to beauty than deformity, we may conclude that to be the reason why we approve and admire it, as we approve and admire customs and fashions of dress for no other reason than that we are used to them...
Page 391 - A happy genius is the gift of nature : it depends on the influence of the stars, say the astrologers ; on the organs of the body, say the naturalists ; it is the particular gift of heaven, say the divines, both Christians and heathens. How to improve it, many books can teach us ; how to obtain it, none ; that nothing can be done without it, all agree — Tu nihil invita dices faciesve Mintrva.
Page 127 - You would not then have seen an upright figure standing equally on both legs, and both hands stretched forward in the same direction, and his drapery, to all appearance, without the least art of disposition.
Page 130 - ... minute exactness in the detail, as I may say, of Nature modified by accident. The attention to these petty peculiarities is the very cause of this naturalness so much admired in the Dutch pictures, which, if we suppose it to be a beauty, is certainly of a lower order, which ought to give place to a beauty of a superior kind, since one cannot be obtained but by departing from the other.
Page 400 - that the figures of the groups must not be all on a side, that is, with their faces and bodies all turned the same way, but must contrast each other by their several positions." Thus in a play, some characters must be raised to oppose others, and to set them off the better, according to the old maxim, " Contraria juxta se posita, magis elucescunt.
Page 220 - ... better: it is here as in personal attractions; there is frequently found a certain agreement and correspondence in the whole together, which is often more captivating than mere regular beauty. RUBENS appears to have had that confidence in himself, which it is necessary for every artist to assume, when he has finished his studies, and may venture in some measure to throw aside the fetters of authority; to consider the rules as subject to his controul, and not himself subject to the rules; to risk...
Page 69 - Therefore, having once adopted a style and a measure not found in common discourse, it is required that the sentiments also should be in the same proportion elevated above common nature, from the necessity of there being an agreement of the parts among themselves, that one uniform whole may be produced. To correspond, therefore, with this general system of deviation from nature, the manner in which poetry is offered to the ear, the tone in which it is recited, should be as far removed from the tone...
Page 400 - English, the bawd of her sister, the design or drawing; she clothes, she dresses her up, she paints her, she makes her appear more lovely than naturally she is* she procures for the design, and makes lovers for her; for the design of itself is only so many naked lines. Thus in Poetry, the expression is that which charms the reader, and beautifies the design, which is only the outlines of the fables.