Touch. According to the fool's bolt, sir, and such dulcet diseases7. Jaq. But, for the seventh cause; how did you find the quarrel on the seventh cause? -Bear Touch. Upon a lie seven times removed3:— your body more seeming 9, Audrey:—as thus, sir, I did dislike the cut of a certain courtier's beard; he sent me word, if I said his beard was not cut well, he was in the mind it was: This is called the Retort courteous. If I sent him word again, it was not well cut, he would send me, word, he cut it to please himself: This is called the Quip modest. If again, it was not well cut, he disabled 10 my judgment: This is call'd the Reply churlish. If again, it was not well cut, he would answer, I spake not true: This is call'd the Reproof valiant. If again, it was not well cut, he would say, I lie: This is called the Countercheck quarrelsome: and so the Lie circumstantial, and the Lie direct. Jaq. And how oft did you say, his beard was not well cut? Touch. I durst go no further than the Lie circumstantial, nor he durst not give me the Lie direct; and so we measured swords, and parted. Jaq. Can you nominate in order now the degrees of the lie? Touch. O, sir, we quarrel in print, by the book 11; 7 'Dulcet diseases.' Johnson thought we should read—' discourses' but it is useless labour to endeavour to make the fantastic Touchstone orthodox in his meaning. 8 i. e. the lie removed seven times, counting backwards from the last and most aggravated species of lie, viz. the lie direct. 9 Seemly. 10 i. e. impeached, or dispraised. 11 The poet has, in this scene, rallied the mode of formal duelling, then so prevalent, with the highest humour and address. The book alluded to is intitled, 'Of Honour and Honourable Quarrels, by Vincentio Saviolo,' 1594, 4to. The first part of which is: A Discourse most necessary for all Gentlemen that VOL. III. U as you have books for good manners 12: I will name you the degrees. The first, the Retort courteous; the second, the Quip modest; the third, the Reply churlish; the fourth, the Reproof valiant; the fifth, the Countercheck quarrelsome; the sixth, the Lie with circumstance! the seventh, the Lie direct. All these you may avoid, but the lie direct; and you may avoid that too, with an If. I knew when seven justices could not take up a quarrel; but when the parties were met themselves, one of them thought but of an If, as If you said so, then I said so; and they shook hands, and swore brothers. Your If is the only peace-maker; much virtue in If. Jaq. Is not this a rare fellow, my lord? he's as good at any thing, and yet a fool. Duke S. He uses his folly like a stalking-horse 13, and under the presentation of that, he shoots his wit. have in regard their Honours, touching the giving and receiving the Lie, whereupon the Duello and the Combat in divers Forms doth ensue; and many other inconveniences for lack only of true knowledge of Honour, and the right Understanding of Words, which here is set down.' The eight following chapters are, on the Lie and its various circumstances, much in the order of Touchstone's enumeration; and in the chapter of Conditional Lies, speaking of the particle if, he says: Conditional lies be such as are given conditionally, as if a man should say or write these words: if thou hast said that I have offered my lord abuse, thou liest; or if thou sayest so hereafter, thou shalt lie. Of these kind of lies, given in this manner, often arise much contention in wordes, whereof no sure conclusion can arise.' There are other works of the time on the same subject mentioned by the commentators; but this must suffice. 12 The Booke of Nurture; or, Schoole of Good Manners for Men, Servants, and Children, with stans puer ad mensam, 12mo. without date, in black letter, is most probably the work referred to. It was written by Hugh Rhodes, and first published in the reign of Edward VI. 13 A stalking-horse.' See note on Much Ado about Nothing, Act ii. Sc. 3, p. 152, note 6. Enter HYMEN 14. leading ROSALIND in women's clothes; and CELIA. Still Musick. Hym. Then is there mirth in heaven, When earthly things made even, Good duke, receive thy daughter, That thou might'st join her hand with his Ros. To you I give myself, for I am yours: To you I give myself, for I am yours. [To Duke S. [TO ORLANDO. Duke S. If there be truth in sight, you are my daughter. Orl. If there be truth in sight, you are my Rosa lind. Phe. If sight and shape be true, Why then, my love, adieu! Ros. I'll have no father, if you be not he : [To Duke S. I'll have no husband, if you be not he : [To ORLANDO. Nor ne'er wed woman, if you be not she: [TO PHEBE. 14 Rosalind is imagined by the rest of the company to be brought by enchantment, and is therefore introduced by a supposed aërial being in the character of Hymen. 15 i. e. at one; accord, or agree together. This is the old sense of the phrase, ' an attonement, a loving againe after a breach or falling out. Reditus in gratia cum aliquo.'-Baret. Hym. Peace, ho! I bar confusion: "Tis I must make conclusion Of these most strange events: If truth holds true contents 16 Y ou and you no cross shall part: [To ORLANDO and ROSALIND. You and you are heart in heart: [To OLIVER and CELIA. You [To PHEBE] to his love must accord, Or have a woman to your lord: You and you are sure together, [To TOUCHSTONE and AUDREY. As the winter to foul weather. SONG. Wedding is great Juno's crown; Duke S. O my dear niece, welcome thou art to me; Even daughter, welcome in no less degree. Phe. I will not eat my word, now thou art mine; Thy faith my fancy to thee doth combine 18. [TO SILVIUS. 16 i. e. unless truth fails of veracity; if there be truth in truth. 17 i. e. take your fill of discourse. 18 i. e. unite, attach. Enter JAQUEs de Bois. Jaq. de B. Let me have audience for a word or two; I am the second son of old Sir Rowland, That bring these tidings to this fair assembly :— His brother here, and put him to the sword: Duke S. That have endur'd shrewd days and nights with us, Meantime, forget this new-fall'n dignity, Play, musick;—and you, brides and bridegrooms all, And thrown into neglect the pompous court? 19 i. e. prepared. |