Renaissance and Baroque: Multiple Unity and Unified Unity in the Treatment of Verse, Ornament, and Structure, Volume 1 |
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Page 26
... present writer , of course , cannot solve them , nor would this be the place to do so even if he could . Some people ... present writer ) .30 The present writer does not believe that one classifi- cation is any more " in the nature of ...
... present writer , of course , cannot solve them , nor would this be the place to do so even if he could . Some people ... present writer ) .30 The present writer does not believe that one classifi- cation is any more " in the nature of ...
Page 129
... present one would be doomed to failure . Therefore it is encour- aging , from the present point of view , to find that in spite of Miss De Mourgues ' attempt " to compel these elusive , complex terms [ metaphysical , baroque , précieux ] ...
... present one would be doomed to failure . Therefore it is encour- aging , from the present point of view , to find that in spite of Miss De Mourgues ' attempt " to compel these elusive , complex terms [ metaphysical , baroque , précieux ] ...
Page 135
... present purposes formally to sur- vey these scholars . Many of them will be mentioned with reference to one problem or another in subsequent pages . We may , however , briefly comment on two whose positions are close to the present one ...
... present purposes formally to sur- vey these scholars . Many of them will be mentioned with reference to one problem or another in subsequent pages . We may , however , briefly comment on two whose positions are close to the present one ...
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Common terms and phrases
Artists on Art baroque art Ben Jonson blank verse century cessation chapter characteristic cited Blunt classicism concept concerned contrast couplet verse Coy Mistress Crashaw criticism defined differences distinguished dominating total motive Donne Donne's E. M. W. Tillyard emphasis Epithalamion example F. T. Prince Faerie Queene figures functioning of individual Furioso Gerusalemme Heinrich Wölfflin Ibid independent functioning individual forms Italian Jonson L'Allegro line and rime line five Lycidas mannerist Mario Praz Milton Milton's blank verse multiple unity Orlando Furioso over-all painting Paradise Lost passages period label Petrarch poem poetry poets present hypothesis problem Professor Prose quatrain relation renaissance renaissance and baroque respect run-on lines Sanctis seventeenth seventeenth-century literature Seventeenth-Century Verse Signor Momigliano sixteenth sixteenth-century sonnets Spenser Spingarn stanzaic verse stanzas strong medial pauses structure style stylistic subordination syntactical unit Tasso tendency thing thou total dominating motive unified unity Vasari verb Wellek whole Wölfflin writers