The Interpretation of Early Music |
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Page 9
Robert Donington. IX . EARLY BAROQUE ORNAMENTATION 1. Early Baroque Ornamentation Still Mainly Melodic page 104 104 2. Vocal Ornamentation in Early Baroque Music 3. Instrumental Ornamentation in Early Baroque Music 105 X. LATER BAROQUE ...
Robert Donington. IX . EARLY BAROQUE ORNAMENTATION 1. Early Baroque Ornamentation Still Mainly Melodic page 104 104 2. Vocal Ornamentation in Early Baroque Music 3. Instrumental Ornamentation in Early Baroque Music 105 X. LATER BAROQUE ...
Page 10
... Instrumental Tremolo 166 4. Vibrato on Instruments 167 XX . B ( iii ) : THE TRILL 1. What the Name Trill Implies 171 2. Pre - Baroque and Early Baroque Trills 171 6. The Termination of Baroque Trills 3. Baroque Trills of 10 CONTENTS.
... Instrumental Tremolo 166 4. Vibrato on Instruments 167 XX . B ( iii ) : THE TRILL 1. What the Name Trill Implies 171 2. Pre - Baroque and Early Baroque Trills 171 6. The Termination of Baroque Trills 3. Baroque Trills of 10 CONTENTS.
Page 104
Robert Donington. CHAPTER IX Early Baroque Ornamentation 1. EARLY BAROQUE ORNAMENTATION STILL MAINLY MELODIC Renaissance methods of ornamentation were carried into early baroque music with very little change other than the general ...
Robert Donington. CHAPTER IX Early Baroque Ornamentation 1. EARLY BAROQUE ORNAMENTATION STILL MAINLY MELODIC Renaissance methods of ornamentation were carried into early baroque music with very little change other than the general ...
Contents
THE APPROACH TO EARLY MUSIC | 25 |
THE INTERPLAY OF STYLES | 36 |
Musical Effects | 42 |
Copyright | |
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Common terms and phrases
accented acciaccatura accidental accompaniment accompanist Adagio Allegro appoggiatura arpeggiation articulation Augsburg Bach's baroque music baroque period beat Berlin breve C. P. E. Bach cadence chromatic composer continuo Couperin crotchets discord dissonance dotted notes early baroque early music effect embellishments Essay example expression F. W. Marpurg figured bass fingers flat French gamba give half-trill hand harmony harpsichord hexachord instruments interpretation intervals Italian J. S. Bach Joachim Quantz keyboard leading-note length Leopold Mozart less London long appoggiaturas lute main note marked means measure melody modern mordent movement musica ficta normal notation octave ornament Paris passages passing notes performer piano piece pitch played Pralltriller Quantz quavers quick realisation renaissance rule Semibreve semiquavers semitone sharp short appoggiatura singing slow slurred solo sometimes sonatas sound speed standard string stroke style taken tempo Thomas Mace tone tremolo trill turn vibrato viol violin Violinschule voice written