The Interpretation of Early Music |
From inside the book
Results 1-3 of 82
Page 172
... normal trills , under the name of quiebro , are also shown , clearly subject to the same implication . Ex . 86. Fray Tomás de Santa María , Arte de tañer fantasia , Valla- dolid , 1565 , sect . 8 , special trill and normal trill ...
... normal trills , under the name of quiebro , are also shown , clearly subject to the same implication . Ex . 86. Fray Tomás de Santa María , Arte de tañer fantasia , Valla- dolid , 1565 , sect . 8 , special trill and normal trill ...
Page 201
... normal mordent . The ornament ends on its own main note , out of which the single mordent takes very little time , and the double mordent not much more , but the continued mordent the greater part . ( 278 ) Couperin , L'Art de toucher ...
... normal mordent . The ornament ends on its own main note , out of which the single mordent takes very little time , and the double mordent not much more , but the continued mordent the greater part . ( 278 ) Couperin , L'Art de toucher ...
Page 398
... normal baroque rhythm . Triplets as such are common . We find them written in the modern way as groups of three notes , with or without a 3 to make the grouping clear , at least from Petrucci's famous editions at the beginning of the ...
... normal baroque rhythm . Triplets as such are common . We find them written in the modern way as groups of three notes , with or without a 3 to make the grouping clear , at least from Petrucci's famous editions at the beginning of the ...
Contents
THE APPROACH TO EARLY MUSIC | 25 |
THE INTERPLAY OF STYLES | 36 |
Musical Effects | 42 |
Copyright | |
187 other sections not shown
Common terms and phrases
accented acciaccatura accidental accompaniment accompanist Adagio Allegro appoggiatura arpeggiation articulation Augsburg Bach's baroque music baroque period beat Berlin breve C. P. E. Bach cadence chromatic composer continuo Couperin crotchets discord dissonance dotted notes early baroque early music effect embellishments Essay example expression F. W. Marpurg figured bass fingers flat French gamba give half-trill hand harmony harpsichord hexachord instruments interpretation intervals Italian J. S. Bach Joachim Quantz keyboard leading-note length Leopold Mozart less London long appoggiaturas lute main note marked means measure melody modern mordent movement musica ficta normal notation octave ornament Paris passages passing notes performer piano piece pitch played Pralltriller Quantz quavers quick realisation renaissance rule Semibreve semiquavers semitone sharp short appoggiatura singing slow slurred solo sometimes sonatas sound speed standard string stroke style taken tempo Thomas Mace tone tremolo trill turn vibrato viol violin Violinschule voice written