Antony and CleopatraUnrivalled practical insights into the play from one of the most influential actors and directors of Shakespeare of all time. |
Contents
Section 1 | 1 |
Section 2 | 5 |
Section 3 | 17 |
Section 4 | 28 |
Section 5 | 30 |
Section 6 | 58 |
Section 7 | 69 |
Section 8 | 78 |
Section 9 | 81 |
Section 10 | 82 |
Section 11 | 98 |
Section 12 | 101 |
Other editions - View all
Common terms and phrases
act-division acting action Actium actors Agrippa alarum Antony and Cleopatra Antony's audience battle bring Brutus character Charmian comes contrast convention costume Cymbeline dead death defeat Dolabella dramatic dramatist editors effect Egypt Egyptian Elizabethan Elizabethan stage emotion Enobarbus Eros fight Folio follows folly Fulvia Fulvia's give gods Granville Barker Hamlet hath hear heart imagine inner stage Julius Cæsar leave Lepidus lines look lord Love's Labour's Lost Mæcenas matter means Menas messenger mind modern never noble Octavia Othello Parthia passion pause phrase picture plain play play's playwright Plutarch Pompey Prefaces Proculeius prose Richard Eyre Roman Rome Scarus scene scenery sea-fight sense sensual Shakes Shakespeare Shakespeare's stagecraft simplicity Sir Herbert Tree SOLDIER soliloquy sort sound speak speech stage direction tell theatre thee Thidias things thou thought tragedy turn upper stage Ventidius verse words