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Academy of Arts aggregate American Academy American Composers Ann Arbor Arthur Berger artists Arts and Letters aspect Bank Street Brandeis University C. F. Peters Corporation Chamber Music characterized Charles Wuorinen chromatic College Composition for Four Copland course dance diatonic elite ensemble faculty Four Instruments harmonic Harold Shapero hear Herald Tribune interval-preserving intervallic John Cage later listener Mannerist Martha Graham ment Michigan Milton Babbitt Motherwell music critic Musical Quarterly Nadia Boulanger neoclassic notion octave Orchestra particularly performance Perspectives piano piece pitch pitch-class pitch-class serialism poser psychic automatism realize referential series reflect regard registral rhythm rhythmic Roger Reynolds Roger Sessions Ross Bauer Ross Finney Ross Lee Finney Schoenberg Schoenberg's score sense serious music solo songs spoke about music Stravinsky String Quartet structure suggestive Symphony teacher teaching technique temporal tion tonal triads trichord twelve pitch-class twelve-tone composition Virgil Thomson visual art write young composer