Interactivation: Towards an E-cology of People, Our Technological Environment, and the Arts |
Contents
Introduction | 25 |
Stepping Stones | 47 |
Ondes Martenot | 54 |
Dynamic Architecture the spatial interface | 79 |
Foothills | 99 |
Haptic Display of Information and Feedback giving meaning to what is felt | 117 |
Step counting | 146 |
The Physical Interface Design Space PIDS describing physical interaction | 157 |
Art and ecology | 181 |
Multimodal Interaction Styles Interactivated environments | 233 |
Directions | 249 |
Conclusions and Aims | 251 |
Seeds a research agenda | 267 |
References | 281 |
SIKS Dissertations | 297 |
Samenvatting | 303 |
Common terms and phrases
actions active actuator added addressing applied approach architecture artists audience become building called carried chapter combination communication complex consists context create described Design Space developed devices discussed display effect electrical electronic elements enable engineer environment example experiments explore feedback field force frequency functions further gesture Glove hand haptic human idea illustrated images important influence input instance interaction interesting interface involved issues later light manipulation mapping material measuring mechanical modalities mouse movement moving multimodal musical instruments nature objects parameters participants particularly performance phase physical play player possible presented range role scale screen sense sensitivity sensors shown shows sound space stages started subjects switch tactual term touch traditional various vibrotactile virtual visual whole
Popular passages
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