A Study of Hamlet |
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Page 9
... uttered . Scarcely are the first few sentences of the play read , before the reader's attention is secured , and from the first few and simple sentences it remains , to the last words of the last scene of the final Act , riveted to the ...
... uttered . Scarcely are the first few sentences of the play read , before the reader's attention is secured , and from the first few and simple sentences it remains , to the last words of the last scene of the final Act , riveted to the ...
Page 51
... uttering . The suggestion might have arisen in his mind in the short interval between the departure of the ghost from his sight and his rejoining his friends . We shall find that it is never acted upon as a part of a consistent plan ...
... uttering . The suggestion might have arisen in his mind in the short interval between the departure of the ghost from his sight and his rejoining his friends . We shall find that it is never acted upon as a part of a consistent plan ...
Page 91
... uttered by Hamlet from the depths of his soul ; they have often been reflected upon by him ; but now they are troubled by the heaviness of his disposition , he cannot recall them with his former fervour and in their former brightness ...
... uttered by Hamlet from the depths of his soul ; they have often been reflected upon by him ; but now they are troubled by the heaviness of his disposition , he cannot recall them with his former fervour and in their former brightness ...
Page 103
... uttered a word . The first scene of the third act is in a room in the castle , and there are assembled the king and queen , Polonius and Ophelia , and Rosencrantz and Guildenstern . The anxious king and queen question Rosencrantz and ...
... uttered a word . The first scene of the third act is in a room in the castle , and there are assembled the king and queen , Polonius and Ophelia , and Rosencrantz and Guildenstern . The anxious king and queen question Rosencrantz and ...
Page 105
... knew this , he must have known it before he addressed Ophelia ; and , if so , must have delibe- rately and unaccountably uttered the reflections in the intervening soliloquy he utters , before he addresses her A STUDY OF HAMLET . 105.
... knew this , he must have known it before he addressed Ophelia ; and , if so , must have delibe- rately and unaccountably uttered the reflections in the intervening soliloquy he utters , before he addresses her A STUDY OF HAMLET . 105.
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Common terms and phrases
action actors addressed affection agitation appearance arras become Bernardo character conduct conversation dead Denmark discourse disorder disposition distraction doubt DOVER STREET dreadful EDWARD MOXON Elsinore England excitement exclaims expression father father's death father's ghost father's spirit feeling feigning madness forget Fortinbras friends grave grief GUIL Hamlet Hamlet's mind hath heart heaven Hecuba hell Horatio imagination insane interview Jephthah king and queen king's Laertes late look lord malady manner Marcellus marriage meditations mental merely mocking mother murder nature ness night Norway observation Ophelia Osric overmastered passion platform play players Polonius prince queen question reason reflections reply reproaches resolve revenge Rosencrantz and Guildenstern scarcely scene seems seen sent Shakspeare Shakspeare's soliloquy sorrow soul speak speech strange sudden suspicion sweet talk tell thee things THOMAS HOOD thou thoughts tion troubled uncle unhappy uttered watch whilst wild words
Popular passages
Page 133 - Why, look you now, how unworthy a thing you make of me ! You would play upon me ; you would seem to know my stops ; you would pluck out the heart of my mystery ; you would sound me from my lowest note to the top of my compass : and there is much music, excellent voice, in this little organ ; yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe ? Call me what instrument you will, though you can fret me, you cannot play upon me.
Page 98 - Who calls me villain? breaks my pate across? Plucks off my beard and blows it in my face? Tweaks me by the nose? gives me the lie i' the throat, As deep as to the lungs?
Page 38 - What may this mean, That thou, dead corse, again in complete steel Revisit'st thus the glimpses of the moon, Making night hideous; and we fools of nature So horridly to shake our disposition With thoughts beyond the reaches of our souls?
Page 21 - That it should come to this! But two months dead : nay, not so much, not two : So excellent a king; that was, to this, Hyperion to a satyr; so loving to my mother That he might nqt beteem the winds of heaven Visit her face too roughly.
Page 155 - My pulse, as yours, doth temperately keep time, And makes as healthful music. It is not madness That I have utter'd : bring me to the test, And I the matter will re-word, which madness Would gambol from.
Page 112 - Get thee to a nunnery : why wouldst thou be a breeder of sinners ? I am myself indifferent honest : but yet I could accuse me of such things, that it were better my mother had not borne me...
Page 114 - I have heard of your paintings too, well enough; God hath given you one face, and you make yourselves another: you jig, you amble, and you lisp, and nickname God's creatures, and make your wantonness your ignorance.
Page 61 - Pale as his shirt ; his knees knocking each other ; And with a look so piteous in purport, As if he had been loosed out of hell, To speak of horrors, — he comes before me.
Page 113 - I'll give thee this plague for thy dowry: Be thou as chaste as ice, as pure as snow, thou shalt not escape calumny.
Page 204 - I do not think so; since he went into France, I have been in continual practice; I shall win at the odds. But thou wouldst not think how ill all's here about my heart; but it is no matter.