Art, Literature, and the Drama |
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Page 6
Had I been earlier aware of this , I should have made a different selection , and
one which would do more justice to the range and variety of subjects which have
been before my mind during the ten years that , in the intervals allowed me by ...
Had I been earlier aware of this , I should have made a different selection , and
one which would do more justice to the range and variety of subjects which have
been before my mind during the ten years that , in the intervals allowed me by ...
Page 16
In vain for the maker , who knows without learning it , but not in vain for the mind
of his race . The critic is beneath the maker , but is his needed friend . What
tongue could speak but to an intelligent ear , and every noble work demands its
critic .
In vain for the maker , who knows without learning it , but not in vain for the mind
of his race . The critic is beneath the maker , but is his needed friend . What
tongue could speak but to an intelligent ear , and every noble work demands its
critic .
Page 19
We do not want merely a polite response to what we thought before , but by the
freshness of thought in other minds to have new thought awakened in our own .
We do not want stores of information only , but to be roused to digest these into ...
We do not want merely a polite response to what we thought before , but by the
freshness of thought in other minds to have new thought awakened in our own .
We do not want stores of information only , but to be roused to digest these into ...
Page 25
The following sketch is meant merely to mark some prominent features in the
minds of the two Herberts , under a form less elaborate and more reverent than
that of criticism . A mind of penetrating and creative power could not find a better
...
The following sketch is meant merely to mark some prominent features in the
minds of the two Herberts , under a form less elaborate and more reverent than
that of criticism . A mind of penetrating and creative power could not find a better
...
Page 27
few types remain : the Norman tempered by the Saxon , the fire of conquest by
integrity , and a self - contained , inflexible habit of mind . In the times of the
Sydneys and Russells , the English body was a strong and nobly - proportioned
vase ...
few types remain : the Norman tempered by the Saxon , the fire of conquest by
integrity , and a self - contained , inflexible habit of mind . In the times of the
Sydneys and Russells , the English body was a strong and nobly - proportioned
vase ...
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admiration Anto artist beauty become better bring brother called character clear comes critic deep earth existence expression eyes fair faith feel felt flowers force genius gifts give given grace hand happy hear heart heaven higher honor hope hour human interest Italy kind known leave Leon less light live look Lord means meet mind nature never noble object once passed passion perfect person picture play pleasure poems poet possess present prince pure receive rich SCENE seek seems seen sense soon soul speak spirit sweet Tasso taste tell tender thee things thou thought tone touch true truth turn whole wilt wish worthy write written youth
Bibliographic information
| Title | Art, Literature, and the Drama |
| Author | Margaret Fuller |
| Editor | Arthur Buckminster Fuller |
| Publisher | Brown, Taggard & Chase, 1860 |
| Original from | the University of California |
| Digitized | 25 Feb 2011 |
| Length | 449 pages |
| Export Citation | BiBTeX EndNote RefMan |