Art, Literature, and the Drama |
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Page 8
A year or two hence , I hope to have more to say upon this topic , or the interests it
represents , and to speak with more ripeness both as to the matter and the form .
M . F . IVER des JNIV Voyes THE . • TH ITY OF . ovede EN TERSI • THE ...
A year or two hence , I hope to have more to say upon this topic , or the interests it
represents , and to speak with more ripeness both as to the matter and the form .
M . F . IVER des JNIV Voyes THE . • TH ITY OF . ovede EN TERSI • THE ...
Page 13
Of these the only law is , “ Speak the best word that is in thee . ” Or they are
regular articles got up to order by the literary hack writer , for the literary mart ,
and the only law is to make them plausible . There is not yet deliberate
recognition of a ...
Of these the only law is , “ Speak the best word that is in thee . ” Or they are
regular articles got up to order by the literary hack writer , for the literary mart ,
and the only law is to make them plausible . There is not yet deliberate
recognition of a ...
Page 15
They reproduce the work of which they speak , and make it better known to us in
so far as two statements are better than one . There are beautiful specimens in
this kind . They are pleasing to us as bearing witness of the genial sympathies of
...
They reproduce the work of which they speak , and make it better known to us in
so far as two statements are better than one . There are beautiful specimens in
this kind . They are pleasing to us as bearing witness of the genial sympathies of
...
Page 16
What tongue could speak but to an intelligent ear , and every noble work
demands its critic . The richer the work , the more severe should be its critic ; the
larger its scope , the more comprehensive must be his power of scrutiny . The
critic is not ...
What tongue could speak but to an intelligent ear , and every noble work
demands its critic . The richer the work , the more severe should be its critic ; the
larger its scope , the more comprehensive must be his power of scrutiny . The
critic is not ...
Page 19
We would converse with him , secure that he will tell us all his thought , and
speak as inan to man . But if he adapts his work to us , if he stifles what is
distinctively his , if he shows himself either arrogant or mean , or , above all , if he
wants faith ...
We would converse with him , secure that he will tell us all his thought , and
speak as inan to man . But if he adapts his work to us , if he stifles what is
distinctively his , if he shows himself either arrogant or mean , or , above all , if he
wants faith ...
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admiration Anto artist beauty become better bring brother called character clear comes critic deep earth existence expression eyes fair faith feel felt flowers force genius gifts give given grace hand happy hear heart heaven higher honor hope hour human interest Italy kind known leave Leon less light live look Lord means meet mind nature never noble object once passed passion perfect person picture play pleasure poems poet possess present prince pure receive rich SCENE seek seems seen sense soon soul speak spirit sweet Tasso taste tell tender thee things thou thought tone touch true truth turn whole wilt wish worthy write written youth
Bibliographic information
| Title | Art, Literature, and the Drama |
| Author | Margaret Fuller |
| Editor | Arthur Buckminster Fuller |
| Publisher | Brown, Taggard & Chase, 1860 |
| Original from | the University of California |
| Digitized | 25 Feb 2011 |
| Length | 449 pages |
| Export Citation | BiBTeX EndNote RefMan |