Art, Literature, and the Drama |
From inside the book
Results 1-5 of 37
Page 39
I am conscious of many feelings which are not touched upon there , — of the
depths of love and sorrow made known to men , through One whom you as yet
know not . But of these I will not speak now , except to ask , borne on this strong
pinion ...
I am conscious of many feelings which are not touched upon there , — of the
depths of love and sorrow made known to men , through One whom you as yet
know not . But of these I will not speak now , except to ask , borne on this strong
pinion ...
Page 56
In these exquisite letters , a subject which would seem almost too delicate for an
angel ' s touch , is in nowise profaned ; and the most elevated , as well as the
most consoling view is taken with the confidence of one who had seen into the
very ...
In these exquisite letters , a subject which would seem almost too delicate for an
angel ' s touch , is in nowise profaned ; and the most elevated , as well as the
most consoling view is taken with the confidence of one who had seen into the
very ...
Page 64
The ready tact to apprehend the mood of your companions and their capacity for
receiving what you can bestow , the skill to touch upon a variety of subjects with
that lightness , grace , and rapidity , which constantly excite and never exhaust ...
The ready tact to apprehend the mood of your companions and their capacity for
receiving what you can bestow , the skill to touch upon a variety of subjects with
that lightness , grace , and rapidity , which constantly excite and never exhaust ...
Page 68
His forte is strong conception , a style free and bold ; occasionally a passage is ill
- finished , but the lights and shades are so happily distributed , the touch so
masterly and vigorous , with such tact at knowing where to stop , that we must
look ...
His forte is strong conception , a style free and bold ; occasionally a passage is ill
- finished , but the lights and shades are so happily distributed , the touch so
masterly and vigorous , with such tact at knowing where to stop , that we must
look ...
Page 71
or , " Who forgets that white discrowned head , Those bursts of reason ' s half -
extinguished glare , Those tears upon Cordelia ' s bosom shed In doubt more
touching than despair , If ' twas reality he felt ? " “ Fair as some classic dome ,
Robust ...
or , " Who forgets that white discrowned head , Those bursts of reason ' s half -
extinguished glare , Those tears upon Cordelia ' s bosom shed In doubt more
touching than despair , If ' twas reality he felt ? " “ Fair as some classic dome ,
Robust ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
admiration Anto artist beauty become better bring brother called character clear comes critic deep earth existence expression eyes fair faith feel felt flowers force genius gifts give given grace hand happy hear heart heaven higher honor hope hour human interest Italy kind known leave Leon less light live look Lord means meet mind nature never noble object once passed passion perfect person picture play pleasure poems poet possess present prince pure receive rich SCENE seek seems seen sense soon soul speak spirit sweet Tasso taste tell tender thee things thou thought tone touch true truth turn whole wilt wish worthy write written youth
Bibliographic information
| Title | Art, Literature, and the Drama |
| Author | Margaret Fuller |
| Editor | Arthur Buckminster Fuller |
| Publisher | Brown, Taggard & Chase, 1860 |
| Original from | the University of California |
| Digitized | 25 Feb 2011 |
| Length | 449 pages |
| Export Citation | BiBTeX EndNote RefMan |