Shakespearean CriticismThis detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Page 16
... ment implies . The tragedies themselves reveal as much , containing not only a vision of evil but also as thoroughgo- ing a vision of good ( albeit presented under a different aspect ) as that to be found in the comedies . It is true ...
... ment implies . The tragedies themselves reveal as much , containing not only a vision of evil but also as thoroughgo- ing a vision of good ( albeit presented under a different aspect ) as that to be found in the comedies . It is true ...
Page 177
... ment call at best . At least Luhrmann gets the lines right , anachronistic though they may seem ( though many lines are cut as a favor to actors who cannot deliver them effectively and coherently ) . Unlike Zeffirelli's visually ...
... ment call at best . At least Luhrmann gets the lines right , anachronistic though they may seem ( though many lines are cut as a favor to actors who cannot deliver them effectively and coherently ) . Unlike Zeffirelli's visually ...
Page 296
... ment came to him from literature ; not from Chaucer but from Henryson's poem The Testament of Cresseid , which we know he had read , and the famous moment towards its ending when Cressida , who has become a leper , happens to come face ...
... ment came to him from literature ; not from Chaucer but from Henryson's poem The Testament of Cresseid , which we know he had read , and the famous moment towards its ending when Cressida , who has become a leper , happens to come face ...
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action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young