Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of Athens |
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Page 29
... Gloucester and the peers ends with more emblematic staging . There is a satisfying orderliness about the way the dramatist first detaches Gloucester from the other courtiers and then , after his exit , separates the remainder into ...
... Gloucester and the peers ends with more emblematic staging . There is a satisfying orderliness about the way the dramatist first detaches Gloucester from the other courtiers and then , after his exit , separates the remainder into ...
Page 31
... Gloucester , like Talbot , is immune to female lures . His impartiality at his wife's trial , like his detection of the fake miracle at St Albans ( II . i . 68-164 ) , shows the quality of his justice . In the scene with the petitioners ...
... Gloucester , like Talbot , is immune to female lures . His impartiality at his wife's trial , like his detection of the fake miracle at St Albans ( II . i . 68-164 ) , shows the quality of his justice . In the scene with the petitioners ...
Page 32
... Gloucester's later assessment of him ( ш . i . 158 ) as ' dogged York , that reaches at the moon . ' These phrases remind the audience of its inner knowledge of York , and show that others , without hearing soliloquies , have taken his ...
... Gloucester's later assessment of him ( ш . i . 158 ) as ' dogged York , that reaches at the moon . ' These phrases remind the audience of its inner knowledge of York , and show that others , without hearing soliloquies , have taken his ...
Other editions - View all
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow No preview available - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow No preview available - 1977 |
Common terms and phrases
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists