Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of Athens |
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Page 169
... poet . As the play's form exemplifies the creativity of the imagination , so its fiction represents , in the ideal form of a poetic fable , the spirit of the poet . Interpretation of The Tempest as symbolic autobio- graphy is ...
... poet . As the play's form exemplifies the creativity of the imagination , so its fiction represents , in the ideal form of a poetic fable , the spirit of the poet . Interpretation of The Tempest as symbolic autobio- graphy is ...
Page 189
... poet's invention ? Sidney defended poets against the charge of lying by saying that since the essence of poetry lay in the art of making fictions , no poet pretended to tell the truth ; the truth of poetry lay in its imitative ...
... poet's invention ? Sidney defended poets against the charge of lying by saying that since the essence of poetry lay in the art of making fictions , no poet pretended to tell the truth ; the truth of poetry lay in its imitative ...
Page 233
... poet of history , reading the signs of the times by a kind of infallible poetic augury . It is signifi- cant that Hamlet , the Shakespearean character who has become part of European mythology , is a man who has to uncover the nature ...
... poet of history , reading the signs of the times by a kind of infallible poetic augury . It is signifi- cant that Hamlet , the Shakespearean character who has become part of European mythology , is a man who has to uncover the nature ...
Other editions - View all
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow No preview available - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow No preview available - 1977 |
Common terms and phrases
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists