Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of Athens |
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Page 135
... style suited to it , and the play's language as a whole is unusually rich and complex . Iachimo's des- cription of Imogen's bedroom is a well - known example of poetry rich even to decadence , and there are less famous but equally ...
... style suited to it , and the play's language as a whole is unusually rich and complex . Iachimo's des- cription of Imogen's bedroom is a well - known example of poetry rich even to decadence , and there are less famous but equally ...
Page 175
... style , the clue to its place in the play is that it is a piece of genre - writing . Inevitably a brief pastoral occurring in a poetic drama not itself in the pastoral style will have a look of pastiche about it . Shakespeare , however ...
... style , the clue to its place in the play is that it is a piece of genre - writing . Inevitably a brief pastoral occurring in a poetic drama not itself in the pastoral style will have a look of pastiche about it . Shakespeare , however ...
Page 182
... style of Prospero's invocation to his spirits and the style of Antonio's talk ( ш . i . 1-296 ) . Such contrasts define a range that seems sufficient , potentially , to accommodate the scale of human experience . But there are two ...
... style of Prospero's invocation to his spirits and the style of Antonio's talk ( ш . i . 1-296 ) . Such contrasts define a range that seems sufficient , potentially , to accommodate the scale of human experience . But there are two ...
Other editions - View all
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow No preview available - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow No preview available - 1977 |
Common terms and phrases
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists