Leonora's Last Act: Essays in Verdian DiscourseIn these essays, Roger Parker brings a series of valuable insights to bear on Verdian analysis and criticism, and does so in a way that responds both to an opera-goer's love of musical drama and to a scholar's concern for recent critical trends. As he writes at one point: "opera challenges us by means of its brash impurity, its loose ends and excess of meaning, its superfluity of narrative secrets." Verdi's works, many of which underwent drastic revisions over the years and which sometimes bore marks of an unusual collaboration between composer and librettist, illustrate in particular why it can sometimes be misleading to assign fixed meanings to an opera. Parker instead explores works like Rigoletto, Il trovatore, La forza del destino, and Falstaff from a variety of angles, and addresses such contentious topics as the composer's involvement with Italian politics, the possibilities of an "authentic" staging of his work, and the advantages and pitfalls of analyzing his operas according to terms that his contemporaries might have understood. |
Contents
On Reaching the Beguilded Shore | 3 |
Va pensiero and the Insidious Mastery of Song | 20 |
Insolite forme or Basevis Garden Path | 42 |
Leonoras Last Act La forza del destino | 61 |
Falstaff and Verdis Final Narratives | 100 |
Reading the livrets or the Chimera of Authentic Stagin | 126 |
Lina Kneels Gilda Sings | 149 |
Leonoras Last Act II trovatore | 168 |