JahrbuchQuelle & Meyer, 1973 |
From inside the book
Results 1-3 of 47
Page 7
... plays . What first attracted me to the idea of playing the part ? The problem of presenting with credibility a woman who could carry her lover's severed head on to the stage and play a scene holding it in her arms - Part II , Act IV ...
... plays . What first attracted me to the idea of playing the part ? The problem of presenting with credibility a woman who could carry her lover's severed head on to the stage and play a scene holding it in her arms - Part II , Act IV ...
Page 9
... played her as the culmination of a character built up over four plays - an experience I shall never forget . A half joking suggestion to Peter Hall that we ought to play throughout the whole of a day , like the Oberammergau passion play ...
... played her as the culmination of a character built up over four plays - an experience I shall never forget . A half joking suggestion to Peter Hall that we ought to play throughout the whole of a day , like the Oberammergau passion play ...
Page 27
... plays mean far more to an audience for whom they and the physical presence of the actors are almost the only channel for the grand total of the play . In the Victorian productions the romantically elaborated realism of the setting ...
... plays mean far more to an audience for whom they and the physical presence of the actors are almost the only channel for the grand total of the play . In the Victorian productions the romantically elaborated realism of the setting ...
Contents
Margaret of Anjou Von Dame Peggy Ashcroft | 7 |
Robert Atkins as a Shakespearian Director Von Arthur Colby Sprague | 19 |
Einige Überlegungen zur Darstellung des Jacques in Wie es euch gefällt | 31 |
Copyright | |
13 other sections not shown
Other editions - View all
Common terms and phrases
A. W. Schlegel actors Antonio Atkins audience Aufführung Berlin besonders Biberti Borchers Brockmanns Bühne Charakter Claudius Darstellung Deutschen Deutschen Shakespeare-Gesellschaft Drama englischen Erich Fried Erl.-Schr Ernest Jones ersten Falstaff first Fluellen Garrick Geist Goethe großen Hall Hamlet Haß Heiner Müllers Heinrich Henry Hrsg Ina Schabert Inszenierung Interpretation Irving Jacques Jahre Josef Kainz Julius Caesar Kaufmann von Venedig King Lear Komödie Kortner Kritiker Kunst Lady Macbeth Landestheater läßt liche London Macbeth's Maß für Maß Measure Meinrad Merchant Methode Midsummer Night's Dream muß Othello Otto Schenk Peter Peter Palitzsch play plays psychoanalytischen Publikum rehearsals Richard Richard III Rolle Romanzen Romeo and Juliet Salzburger scene Schauspieler Schauspielhaus schen Schink schließlich Schluß Schoenbaum Scofield Sh-Handbuch Sh's Shake Shakespeare Shakespeare-Gesellschaft Shakespeare's ShJW Shylock Siehe Sommernachtstraum Sonette speare Spiel stage Stück Szene Text ThdZ 27 Theater Timon Tragödie Troilus und Cressida unserer Verfasser viel Welt wieder Wien witches Wolfgang wollt Zuschauer