ARIEGATED, Fight, and splendid as though woven in the woof of Iris, the wondrous texture of this enchanting Dream is yet of stamina to last till doomsday. "Such tricks hath strong imagination!" Like gravitation in the substantial world, its influence pervades the whole domain of moral nature, and compels materials apparently the most discordant to revolve in harmony round one bright vivifying centre. Never was this divine impulsive property of intellect more finely exemplified than in the Elysian scene that here presents itself. The stately heroes and heroines of Grecian story move in soft unison with the beautiful creations of the Gothic mythology-quaint, rich, and fantastic as the ornaments of our matchless Gothic fanes; while all are bound up and blended with a plenteous exhibition of the joys and the sorrows, the constancy and the faithfulness, the sense and the absurdity, that in every age and every clime have characterised our inconsistent, yet exalted human nature. Theseus and his Amazonian love, although invested, for the most part, with an air of classic coldness, at times give indications of being instinet with Shaksperian fire. There is a fine touch of feminine feeling in Hippolyta's expressed dislike "to see wretchedness o'ercharged, and duty in his service perishing." The answer of Theseus breathes the very spirit of a generous philosophy. Their conversation, too, while preparing for the chase, is animated with a glowing sense of animal enjoyment that rises into strenuous poetry. Altogether, these warlike lovers present a very gratifying specimen of the heroic character in repose. The language of the amorous "human mortals," while doomed to illustrate the pathetic adage that "the course of true love never did run smooth," is fraught with sweetness gathered from the purest flowers of Parnassus. The pains and pleasures, the exalting and debasing influences of the universal passion, are delineated with surpassing truth and beauty. Under its resistless spell, the charming Helena betrays her friend, for the sake of a short-lived interview with her revolted and contemptuous lover. Her subsequent unshaken patience, however, and exquisite expostulation with Hermia, amply atone for the solitary error springing from that intoxication of the heart and brain which deprives its victims of discretion, and too often of their self-respect, at the precise moment when they have most occasion for support and admonition. While basking in the moonlight fairy scenes, the luxurious fancy seems to inhale the very odours of "the spiced Indian air;" or, sweeter still, to drink the balmy influence of that "luscious woodbine" which forms Titania's most appropriate canopy.-Puck, the "shrewd and knavish sprite," who finds a sport in lovers' agonising janglings, is beautifully discriminated from Ariel, who pities mortal miseries, and instigates his master to relieve them. Still the "merry wanderer of the night" is delightful and exhilarating company: his sportive malice, controlled by the beneficent Oberon, is productive of infinite diversion; we easily forgive his elvish ridicule of pangs and raptures he is alike incapable of feeling, and for the moment heartily subscribe to his satiric dictum,-" Lord, what fools these mortals be!" The "hempen homespuns" who are so marvellously intermixed with the superior intelligences of the drama, are all admirable workers in their tiny spheres,-from Peter Quince, the business-like manager, who really seems to have half an idea in his head, and contents himself with the humble role of Thisbe's father-up (or down) to ostentatious "Bully Bottom," the twinkling cynosure of all his meek competitors. The union of broad humour with poetic fancy was never perhaps so admirably effected as in the scenes in which this "shallowest thickskin of that barren sort" receives, as a mere thing of course, the enthusiastic courtship of the Queen of Fairyland.-" A very good piece of work, and a merry." There were two quarto editions of the "MIDSUMMER NIGHT'S DREAM" (both published in 1600), revious to its appearance in the folio collection. Hippolyta, I wooed thee with my sword, Enter EGEUS, HERMIA, LYSANDER, and DEME TRIUS. Ege. Happy be Theseus, our renowned duke! Ege. Full of vexation come I, with complaint And interchanged love-tokens with my child: Turned her obedience, which is due to me, I beg the ancient privilege of Athens Thes. What say you, Hermia? Be advised, fair To you your father should be as a god; One that composed your beauties; yea, and one Thes. In himself he is But in this kind, wanting your father's voice, The other must be held the worthier. The worst that may befall me in this case, Thes. Either to die the death, or to abjure Therefore, fair Hermia, question your desires, Chanting faint hymns to the cold fruitless moon. Her. So will I grow, so live, so die, my lord, moon (The sealing-day betwixt my love and me, For aye, austerity and single life. Dem. Relent, sweet Hermia: and, Lysander, yield Thy craz'd title to my certain right. Lys. You have her father's love, Demetrius; Ege. Scornful Lysander! true he hath my love; Lys. I am, my lord, as well derived as he; And, which is more than all these boasts can be, I am beloved of beauteous Hermia: Why should not I, then, prosecute my right? Her. I would my father looked but with my Devoutly dotes, dotes in idolatry, eyes. Thes. Rather your eyes must with his judgment look. Her. I do entreat your grace to pardon me. In such a presence here to plead my thoughts: Upon this spotted and inconstant man. Thes. I must confess that I have heard so much, And with Demetrius thought to have spoke thereof; But being over-full of self-affairs, My mind did lose it. But, Demetrius, come; I have some private schooling for you both. For you, fair Hermia, look you arm yourself I must employ you in some business Lys. How now, my love? why is your cheek How chance the roses there to fade so fast? Her. Belike for want of rain; which I could well Beteem them from the tempest of mine eyes. Lys. Ah me! for aught that ever I could read, Could ever hear by tale or history, The course of true love never did run smooth: But either it was different in blood: Her. O cross! too high to be enthralled to low! Lys. Or else misgrafféd, in respect of years: Her. O spite! too old to be engaged to young! Lys. Or else it stood upon the choice of friends: Her. O hell! to choose love by another's eye! Lys. Or if there were a sympathy in choice, War, death, or sickness, did lay siege to it; Making it momentary as a sound, Swift as a shadow, short as any dream; Brief as the lightning in the collied night, That in a spleen unfolds both heaven and earth, And ere a man hath power to say, "Behold!" The Jaws of darkness do devour it up: So quick bright things come to confusion. Her. If then true lovers have been ever crossed, It stands as an edíct in destiny: Then let us teach our trial patience, Because it is a customary cross; As due to love as thoughts, and dreams, and sighs, Wishes, and tears, poor fancy's followers. Lys. A good persuasion; therefore, hear me, I have a widow aunt, a dowager I swear to thee by Cupid's strongest bow; By that which knitteth souls and prospers loves; Enter HELENA. Her. God speed fair Helena! Whither away? Hel. Call you me fair! that fair again unsay. Demetrius loves your fair: O, happy fair! Your eyes are lode-stars; and your tongue's sweet air More tunable than lark to shepherd's ear, Sickness is catching; O, were favour so, Were the world mine, Demetrius being bated, Her. I frown upon him, yet he loves me still. Hel. O, that your frowns would teach my smiles such skill! Her. I give him curses, yet he gives me love. Hel. O, that my prayers could such affection move! Her. The more I hate, the more he follows me. Hel. The more I love, the more he hateth me. Her. His folly, Helena, is no fault of mine. Hel. None; but your beauty: 'would that fault were mine! Her. Take comfort; he no more shall see my face; Lysander and myself will fly this place. Lys. Helen, to you our minds we will unfold: |