The Past is the Present, It's the Future Too: The Temporal Turn in Contemporary ArtThe term ‘temporality' often refers to the traditional mode of the way time is: a linear procession of past, present and future. As philosophers will note, this is not always the case. Christine Ross builds on current philosophical and theoretical examinations of time and applies them to the field of contemporary art: films, video installations, sculpture and performance works. Ross first provides an interdisciplinary overview of contemporary studies on time, focusing on findings in philosophy, psychology, sociology, communications, history, postcolonial studies, and ecology. She then illustrates how contemporary artistic practices play around with what we consider linear time. Engaging the work of artists such as Guido van der Werve, Melik Ohanian, Harun Farocki, and Stan Douglas, allows investigation though the art, as opposed to having art taking an ancillary role. The Past is the Present; It's the Future Too forces the reader to understand the complexities of the significance of temporal development in new artistic practices. |
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The Past is the Present; It's the Future Too: The Temporal Turn in ... Christine Ross Limited preview - 2012 |
The Past is the Present; It's the Future Too: The Temporal Turn in ... Christine Ross Limited preview - 2012 |
The Past is the Present ; It's the Future Too: The Temporal Turn in ... Christine Ross No preview available - 2012 |
Common terms and phrases
activity actual aesthetics allows Alÿs appear archive artist attention becoming binding body building camera chapter condition connection consciousness contemporary continuity Courtesy Dean Dean’s dimension disappearance disclose duration environment experience explored fact field Figure film filmic filmworks forwardness frame future Gallery historian historical narrative human Ibid insofar installation lateralization Lewis lived London manifest Mark materiality means memory Minutes modern movement moving never objects observer operations passage past perceived perception performances persists perspective philosopher photographic play possibility potentiality practices present Press problem production progress projection provides question reality reference regime of historicity relation remains representation ruins screen simply simultaneity single skin social sound space special relativity specific spectator stillness structure suggests suspension takes temporal passing things turn understanding unfolding University unproductive vanishing visual walk York