Essays on Shakespeare: In Honour of A.A. AnsariTika Ram Sharma Shalabh Book House, 1986 - 302 pages Festschrift honoring Asloob Ahmad Ansari, b. 1925, professor of English, Aligarh Muslim University. |
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Page 14
... figure needs only speech to be alive ' . And the masters of Vasari's own century surpass their predecessors not only in variety of figurations but also in ' truth ' : the figures of Raphael are truth Itself : for ... the flesh seems to ...
... figure needs only speech to be alive ' . And the masters of Vasari's own century surpass their predecessors not only in variety of figurations but also in ' truth ' : the figures of Raphael are truth Itself : for ... the flesh seems to ...
Page 47
... figure of Actaeon or for that matter an Actaeon - like horned figure on the stage and the performer of the horn dance such as the horn dance of Abbots Bromley or the horned figure employed in the popular skimmity ride as the target of ...
... figure of Actaeon or for that matter an Actaeon - like horned figure on the stage and the performer of the horn dance such as the horn dance of Abbots Bromley or the horned figure employed in the popular skimmity ride as the target of ...
Page 165
... figure of a morality play , setting fiendish temptation against Christian conscience . Then he deserts his master and helps his daughter to escape from him . And Launcelot airily jingles the coinage for the ' new Christians ' : when the ...
... figure of a morality play , setting fiendish temptation against Christian conscience . Then he deserts his master and helps his daughter to escape from him . And Launcelot airily jingles the coinage for the ' new Christians ' : when the ...
Contents
PREFACE Editor vii | 1 |
LEO SALINGAR Shakespeare and the Italian | 8 |
TOBIN Shakespeare Bacon Milton | 29 |
Copyright | |
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Common terms and phrases
Actaeon action answer Antonio appearance audience authority become begins bring called cause character comedy comes course critics crown death Dowden effect Elizabethan English English Studies example experience expression fact Falstaff father fear feeling figure final follows force gives Hal's Hamlet hand heart Henry human idea interest interpretation justice Katherina kind King later Lear less lines lives London look Lord lovers marriage means mind moral movement nature never night opening Othello painting perhaps play poetry political position possible present Prince question reality reduction references rejection rhetoric Richard role romantic scene seeks seems sense Shakespeare Shylock soliloquy speak speech stage Studies suggests tells theme thing thou thought Titus tragedy tragic truth turn University whole young