Whofe manners still our tardy, apifh, Nation And, thus expiring, do foretel of him, His rafh, fierce blaze of riot cannot last; Confuming means, foon preys upon itself. This royal Throne of Kings, this fcepter'd Ifle, 4 This fortrefs, built by Nature for her felf, 2 Report of fashions in proud Italy,] Our authour, who gives to all nations the customs of England, and to all ages the manners of his own; has charged the times of Richard with a folly not perhaps known then, but very frequent in Shakespeare's time, and much lamented by the wifest and best of our anceflors. 3 Where Will doth mutiny with wit's regard.] Where the will rebels against the notices of the understanding. -whofe way himle'f will chufe ;] Do not attempt to guide him who, whatever thou thalt fay, will take his own course. Rah. That is, hafty, vio lent. Again infection,- 1 I once fufpected that for infection we might read invafion; but the copies all agree, and I fuppofe Shakespeare meant to fay, that islanders are fecured by their fituation both from war and pestilence. Which ferves it in the office of a wall, Against the envy of lefs happier Lands; This nurfe, this teeming womb of royal Kings, Of the world's Ranfom, bleffed Mary's Son; s Lefs happier lands.] So read all the editions, except Hanmer's, which has 1 bappy. I believe Shakespeare, from the habit of faying more happier according to the cuftom of his time, inadvertently writ lefs happier. 6 Fear'd for their breed, and famous by their birth.] The first edition in 4to, 1598, reads, Fear'd by their breed, and fa- The fecond 4to in 16.5, The first folio, though printed from the fecond quarto, reads as the first. authour feem often to have been The particles in this printed by chance. Perhaps the paffage, which appears a little difordered, may be regulated thus: -royal kings, Renowned for their deeds as far SCENE SCENE II. Enter King Richard, Queen, Aumerle, Bufhy, Green, Bagot, Rols, and Willoughby. York. The King is come, deal mildly with his youth: For young hot colts, being rag'd, do rage the more. Queen. How fares our noble uncle, Lancaster? K. Rich. What comfort, man? How is't with aged Gaunt? Gaunt. Oh, how that Name befits my compofition! And who abftains from meat, that is not gaunt? names? Gaunt. No, mifery makes sport to mock itself: K. Rich. Should dying men flatter those that live? me. Gaunt. Oh! no, thou dyeft, though I ficker be. Ill in my felf, but feeing thee too, ill. Wherein Wherein thou lieft in Reputation fick ; Of thofe phyficians, that first wounded thee. But for thy world enjoying but this Land, incl K. Rich. And thou, a lunatick lean-witted fool, 7 Thy state of law is bondflave to the law;] State of law, i. e. legal fov'rainty. But the Oxford Editor alters it to fate der law, i. e. abfolute fov'rainty. A doctrine, which, if our poet ever learnt at all, he learnt not in the reign when this play was written, Queen Elizabeth's, but in the reign after it, King James's. By bondlave to the law, the poet means his being inflaved to his favorite fubjects. WARBURTON. This fentiment, whatever it be, is obfcurely expreffed. I understand it differently from the learned commentator, being perhaps not quite fo zealous for ShakeSpeare's political reputation. The reafoning of Gaunt, I think, is this: By fetting thy royalties to farm thou haft reduced thyself to a flate below fovereignty, thou art now no longer king but landlord of England, fubject to the fame restraint and limitations as other landlords; by making thy condition a state of law, a condition upon which the common rules of law can operate, thou art become a bondflave to the law; thou haft made thyself amenable to laws from which thou wert originally exempt. Whether this interpretation be true or no, it is plain that Dr. Warburton's explanation of bendflave to the lavi, is not true. Dar'ft Dar'ft with thy frozen admonition Make pale our cheek; chafing the royal blood That blood already, like the Pelican, Haft thou tapt out, and drunkenly carows'd. [Exit, borne out. K. Rich. And let them die, that Age and Sullens have; For both haft thou, and both become the Grave. 8 And thy unkindness be like crooked age, To crop at once a too-long wither'd flow'r.] Thus ftand thefe lines in all the copies, but I think there is an errour. Why fhould Gaunt, already old, call on any thing like age to end him? How can age be faid to crop at once? How is the idea of crookedness connected with that of Croping? I fuppofe the poet dictated thus: And thy unkindness be time's crooked edge To crop at once That is, let thy unkindness be time's fcythe to crop. Edge was eafily confounded by the ear with age, and one miftake once admitted made way for another. 9. Love they. That is, let them love. His |