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Of this play the two plots are so well united, that they can hardly be called two, without injury to the art with which they are interwoven. The attention is entertained with all the variety of a double plot, yet is not distracted by unconnected incidents.

The part between Katharine and Petruchio is eminently sprightly and diverting. At the marriage of Bianca, the arrival of the real father, perhaps, produces more perplexity than pleasure. The whole play is very popular and diverting.

JOHNSON.

C. Whittingham, Printer, Chiswick.

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DRAMATIS PERSONE.

Leontes, King of Sicilia:

Mamillius, his Son.

Camillo,

Antigonus,

Cleomenes,

Dion,

Sicilian Lords.

Another Sicilian Lord.

Rogero, a Sicilian Gentleman.

An Attendant on the young Prince Mamillius.
Officers of a Court of Judicaturë.
Polixenes, King of Bohemia:
Florizel, his Son.

Archidamus, a Bohemian Lord.
A Mariner.

Gaoler.

An old Shepherd, reputed Father of Perdita.
Clown, his Son.

Servant to the old Shepherd.

Antolycus, a Rogue.

Time, as Chorus.

Hermione, Queen to Leontes.

Perdita, Daughter to Leontes and Hermione.
Paulina, Wife to Antigonus.

Emilia, a Lady,

Two other Ladies, attending the Queen.

Mopsa,

Dorcas,

Shepherdesses.

Lords, Ladies, and Attendants; Satyrs for a Dance; Shepherds, Shepherdesses, Guards, &c.

SCENE, sometimes in Sicilia, sometimes in Bohemia.

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SICILIA. An Antechamber in LEONTES' Palace. Enter CAMILLO and ARCHIDAMUS.

Arch. Ir F you shall chance, Camillo, to visit Bobemia, on the like occasion whereon my services are now on foot, you shall see, as I have said, great difference betwixt our Bohemia and your Sicilia.

Cam. I think, this coming summer, the king of Sicilia means to pay Bohemia the visitation which he justly owes him.

Arch. Wherein our entertainment shall shame us, we will be justified in our loves: for, indeed,Cam. 'Beseech you,

Arch. Verily, I speak it in the freedom of my knowledge: we cannot with such magnificence-in so rareI know not what to say.We will give you sleepy drinks; that your senses, unintelligent of our insuffi

cience, may, though they cannot praise us, as little

accuse us.

Cam. You pay a great deal too dear, for what's given freely.

Arch. Believe me, I speak as my understanding instructs me, and as mine honesty puts it to utterance.

Cam. Sicilia cannot show himself over-kind to Bohemia. They were trained together in their childhoods; and there rooted betwixt them then such an affection, which cannot choose but branch now. Since their more mature dignities, and royal necessities, made separation of their society, their encounters, though not personal, have been royally attornied, with interchange of gifts, letters, loving embassies: that they have seemed to be together, though absent; shook hands, as over a vast; and embraced, as it were, from the ends of opposed winds. The heavens continue their loves! Arch. I think, there is not in the world either malice, or matter, to alter it. You have an unspeakable comfort of your young prince Mamillius; it is a gentleman of the greatest promise, that ever came into my note.

Cam. I very well agree with you in the hopes of him it is a gallant child; one that, indeed, physics the subject, makes old hearts fresh: they, that went on crutches ere he was born, desire yet their life, to see him a man.

Arch. Would they else be content to die?

Cam. Yes; if there were no other excuse why they should desire to live.

Arch. If the king had no son, they would desire to live on crutches till he had one. [Exeunt.

SCENE II. The same. A Room of State in the Palace. Enter LEONTES, POLIXENES, HERMIONE, MAMILLIUS, CAMILLO, and Attendants.

Pol. Nine changes of the wat'ry star have been The shepherd's note, since we have left our throne Without a burden: time as long again

Would be fill'd up, my brother, with our thanks:

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