 Raphael's gusto was only in expression ; he had no idea of the character of anything but the human form. The dryness and poverty of his style in other respects is a phenomenon in the art. His trees are like sprigs of grass stuck in a book of botanical...  Annals of the Fine Arts - Page 5471820Full view - About this book
 | William Hazlitt - 1869 - 266 pages
...Satyrs," and in all that expresses motion, but in nothing else. Rembrandt has it in everything; everything in his pictures has a tangible character. If he puts...in expression ; he had no idea of the character of anything but the human form. The dryness and poverty of his style in other respects is a phenomenon... | |
 | William Hazlitt, William Carew Hazlitt - Characters and characteristics - 1871 - 582 pages
...satyrs, and in all that expresses motion, but in nothing else. Rembrandt has it in everything; everything in his pictures has a tangible character. If he puts...in expression ; he had no idea of the character of anything but the human form. The dryness aud poverty of his style in other respects is a phenomenon... | |
 | William Hazlitt, William Carew Hazlitt - Characters and characteristics - 1871 - 592 pages
...satyrs, and in all that expresses motion, but in nothing else. Eembrandt has it in everything; everything in his pictures has a tangible character. If he puts...furs and stuffs are proof against a Russian winter. Eaphael's gusto was only in expression ; he had no idea of the character of anything but the human... | |
 | William Hazlitt - English essays - 1902 - 570 pages
...and in all that expresses motion, but in nothing else. Rembrandt has it in everything ; everything in his pictures has a tangible character. If he puts...in expression ; he had no idea of the character of anything but the human form. The dryness and poverty of his style in other respects is a phenomenon... | |
 | William Hazlitt - English essays - 1902 - 516 pages
...and in all that expresses motion, but in nothing else. Rembrandt has it in everything ; everything in his pictures has a tangible character, if he puts...it is of the first water ; and his furs and stuffs arc proof against a Russian winter. Raphael's gusto was only in expression ; he had no idea of the... | |
 | William Hazlitt - 1902 - 504 pages
...and in all .that expresses motion, but in nothing else. Rembrandt has it in ^ everything ; everything in his pictures has a tangible character, If he puts a diamond in the ear of a burgomasters wire> it is of the first water ; and his furs and stuffs are proof against a Russian winter.... | |
 | David Bromwich - Literary Criticism - 1987 - 320 pages
...Satyrs, and in all that expresses motion, but in nothing else. Rembrandt has it in everything; everything in his pictures has a tangible character. If he puts...in expression; he had no idea of the character of anything but the human form. The dryness and poverty of his style in other respects is a phenomenon... | |
 | Bruce Haley - Literary Criticism - 2003 - 322 pages
...Titian's landscapes "have a prodigious gusto," every object possessing an "appropriate character," Raphael's gusto "was only in expression; he had no idea of the character of anything but the human form." Thus, with a visible depiction of a visual world, gusto is the expressive... | |
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