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I am no longer · *, clerk to the Firm of, &c. I am Retired Leisure. I am to be met with in trim gardens. I am already come to be known by my vacant face and careless gesture, perambulating at no fixed pace, nor with any settled purpose. I walk about ; not to and from. They tell me, a certain cum dignitate air, that has been buried so long with my other good parts, has begun to shoot forth in my person. I grow into gentility perceptibly. When I take up a newspaper, it is to read the state of the opera. Opus operatum est. I have done all that I came into this world to do. I have worked task-work, and have the rest of the day to myself.
THE GENTEEL STYLE IN
T is an ordinary criticism, that my Lord
Shaftesbury, and Sir William Temple, are models of the genteel style in
writing. We should prefer saying-of the lordly, and the gentlemanly. Nothing can be more unlike, than the inflated finical rhapsodies of Shaftesbury and the plain natural chit-chat of Temple. The man of rank is discernible in both writers; but in the one it is only insinuated gracefully, in the other it stands out offensively. The peer seems to have written with his coronet on, and his Earl's mantle before him; the commoner in his elbow chair and undress. What can be more pleasant than the way in which the retired statesman peeps out in his essays, penned by the latter in his delightful retreat at Shene ? They scent of Nimeguen, and the Hague. Scarce an authority is quoted under an ambassador. Don Francisco de Melo, a “ Portugal Envoy in England,” tells him it was frequent in his country for
men, spent with age and other decays, so as they could not hope for above a year or two of life, to ship themselves away in a Brazil feet, and after their arrival there to go on a great length, sometimes of twenty or thirty years, or more, by the force of that vigour they recovered with that re
“Whether such an effect (Temple beautifully adds) might grow from the air, or the fruits of that climate, or by approaching nearer the sun, which is the fountain of light and heat, when their natural heat was so far decayed : or whether the piecing out of an old man's life were worth the pains; I cannot tell : perhaps the play is not worth the candle.”—Monsieur Pompone, “ French Ambassador in his (Sir William's) time at the Hague," certifies him, that in his life he had never heard of any man in France that arrived at a hundred years of age ; a limitation of life which the old gentleman imputes to the excellence of their climate, giving them such a liveliness of temper and humour, as disposes them to more pleasures of all kinds than in other ntries; and moralises upon the matter very sensibly. The “late Robert Earl of Leicester” furnishes him with a story of a Countess of Desmond, married out of England in Edward the Fourth's time, and who lived far in King James's reign. The “same noble person ” gives him an account, how such a year, in the same reign, there went about the country a set of morrice-dancers, composed of ten men who danced, a Maid Marian, and a tabor and pipe ; and how these twelve, one with another, made up twelve hundred years.
“It was not so much (says
Temple) that so many in one small county (Hert. fordshire) should live to that age, as that they should be in vigour and in humour to travel and to dance." Monsieur Zulichem, one of his “colleagues at the Hague,” informs him of the gout; which is confirmed by another “Envoy,” Monsieur Serinchamps, in that town, who had tried it.-Old Prince Maurice of Nassau recommends to him the use of hammocks in that complaint; having been allured to sleep, while suffering under it himself, by the “constant motion or swinging of those airy beds.” Count Egmont, and the Rhinegrave who “was killed last summer before Maestricht,”impart to him their experiences.
But the rank of the writer is never more innocently disclosed, than where he takes for granted the compliments paid by foreigners to his fruit trees. For the taste and perfection of what we esteem the best, he can truly say, that the French, who have eaten his peaches and grapes at Shene in no very ill year, have generally concluded that the last are as good as any they have eaten in France on this side Fontainbleau ; and the first as good as any they have eat in Gascony. Italians have agreed his white figs to be as good as any of that sort in Italy, which is the earlier kind of white fig there ; for in the later kind and the blue, we cannot come near the warm climates, no more than in the Frontignac or Muscat grape.
His orange-trees too, are as large as any he saw when he was young in France, except those of Fontainbleau ; or what he has seen since in the Low Countries, except some very old ones of the Prince
of Orange's. Of grapes he had the honour of bringing over four sorts into England, which he enumerates, and supposes that they are all by this time pretty common among some gardeners in his neighbourhood, as well as several persons of quality ; for he ever thought all things of this kind “the commoner they are made the better.” The garden pedantry with which he asserts that 'tis to little purpose to plant any of the best fruits, as peaches or grapes, hardly, he doubts, beyond Northamptonshire at the furthest northwards; and praises the “
Bishop of Munster at Cosevelt,” for attempting nothing beyond cherries in that cold climate ; is equally pleasant and in character. “I may perhaps ” (he thus ends his sweet Garden Essay with a passage worthy of Cowley) “be allowed to know something of this trade, since I have so long allowed myself to be good for nothing else, which few men will do, or enjoy their gardens, without often looking abroad to see how other matters play, what motions in the state, and what invitations they may hope for into other
For my own part, as the country life, and this part of it more particularly, were the inclination of my youth itself, so they are the pleasure of my age; and I can truly say that, among many great employments that have fallen to my share, I have never asked or sought for any of them, but have often endeavoured to escape from them, into the ease and freedom of a private scene, where a man may go his own way and his own pace, in the common paths and circles of life. The measure of choosing well is whether a