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It follows in his thought, that I am he:
Glo. Why, this it is, when men are ruld by womenic
Clar. By heaven, I think, there is no man secure,
Glo. Humbly complaining 9 to her deity
“ By that blind riddle of the letter G,
“George lost his life; it took effect in me.” Steevens, 8 toys ---] Fancies, freaks of imagination. Fohnson. So, in Hamlet, Act I, sc. iv:,
“ The very place puts toys of desperation,
“ Without more motive, into every brain.". Reed. 7 That tempers him to this extremity. I have collated the original quarto published in 1597, verbatim with that of 1598. In the first copy this line stands thus:
“ That tempers him to this extremity.” and so undoubtedly we should read To temper is to mould, to fashion. So, in Titus Andronicus :
“Now will I to that old Andronicus;
"To pluck proud Lucius from the warlike Goths.” Malone. * To temper is not to mold or to fashion, but to harden, to soften, to molify, any thing to suit the purpose for which it is intended.
Am. Ed. 8 Humbly complaining &c.] I think these two lines might be better given to Clarence. Fohnson. . 9 The jealous o'er-worn vidow, and herself,] That is, the Queen and Shore. Fohnson.
Since that our brother dubb’d them gentlewomen,
Brak. I beseech your graces both to pardon me ;
Glo. Even so ? an please your worship, Brakenbury,
Brak. With this, my lord, myself have nought to do. Glo. Naught to do with mistress Shore? I tell thee,
fellow, He that doth naught with her, excepting one, Were best to do it secretly, alone.3
1 Well struck in years;] This odd expression in our language was preceded by others as uncouth though of a similar kind. Thus, in Arthur Hall's translation of the first Book of Homer's Iliad, 1581:
“ In Grea's forme, the good handmaid, nowe wel ystept in
yeares." Again: “Well shot in years he seem'd,” &c.
Spenser's Fairy Queen, B. V, c. vi. The meaning of neither is very obvious; but as Mr. Warton has observed in his essay on The Fairy Queen, by an imperceptible progression from one kindred sense to another, words at length obtain a meaning entirely foreign to their original etymology.
Steevens. 2 And the queen's kindred -] The old copies harshly and unnecessarily read
And that the queen's &c. Steevens. 3 alone.) Surely the adjective-alone, is an interpolation, as what the Duke is talking of, is seldom undertaken before witnesses. Besides, this word deranges the metre, which, without it, would be regular :--for instance: Were best to do it secretly.
Brak. What one, my lord ?
Brak. I beseech your grace to pardon me; and, withal, Forbear your conference with the noble duke.
Clar. We know thy charge, Brakenbury, and will obey.
Glo. We are the queen's abjects, and must obey. Brother, farewel: I will unto the king; And whatsoe'er you will employ me in, Were it, to call king Edward's widow-sister, 5I will perform it, to enfranchise you. Mean time, this deep disgrace in brotherhood, Touches me deeper than you can imagine.
Clar. I know, it pleaseth neither of us well..
4 the queen's abjects,] That is, not the queen's subjects whom she might protect, but her abjects whom she drives away.
Johnson. So, in The Case is altered. How.? Ask Dalio and Milo, 1604:
" This ougly object, or rather abject of nature.” Henderson. I cannot approve of Johnson's explanation. Gloster forms a substantive from the adjective abject, and uses it to express a lower degree of submission than is implied by the word subject, which otherwise he would naturally have made use of. The Queen's ab. jects, means the most servile of her subjects, who must of course obey all her commands; which would not be the case of those whom she had driven away from her. In a preceding page Glostor had said of Shore's wife
I think, it is our way,
.“ To be her men, and wear her livery.” The idea is the same in both places, though the expression dif. fers.-In Jonson's Every Man out of his Humour, Puntarvolo says to Swift:
"I'll make thee stoop, thou abject!” M. Mason. This substantive was not of Shakspeare's formation. We meet with it in Psalm xxxv, 15:“-yea the very abjects came together against me unawares, making mouths at me, and ceased not.”.
Steevens. 5 Were it to call King Edward's widow-sister, ] This is a very covert and subtle manner of insinuating treason. The natural expression would have been, were it to call king Edward's wife, sister. I will solicit for you, though it should be at the expence of so much degradation and constraint, as to own the low-born wife of King Edward for a sister. But by slipping, as it were casually, widow, into the place of wife, he tempts Clarence with an oblique proposal to kill the King. Johnson.
King Edward's widow is, I believe, only an expression of con. tempt, meaning the widow Grey, whom Edward had chosen for his queen. Gloster bas already called her, the jcalous o'er-worn widow.
Glo. Well, your imprisonment shall not be long;
I must perforce ;? farewel.
[Exeunt CLAR. BRAK. and Guard
Glo. As much unto my good lord chamberlain !
Hast. With patience, noble lord, as prisoners must:
Glo. No doubt, no doubt; and so shall Clarence too; For they, that were your enemies, are his, And have prevail'd as much on him, as you.
Hast. More pity, that the eagle should be mew'd,8While kites and buzzards prey at liberty.
Glo. What news abroad?
Hast. No news so bad abroad, as this at home;The king is sickly, weak, and melancholy, And his physicians fear him mightily. -Glo. Now, by saint Paul,' this news is bad indeed. O, he hath kept an evil diet? long, And over-much consum’d his royal person;
6- lie for you :) He means to be imprisoned in your stead To lie was anciently to reside, as appears by many instances in thesė volumes. Reed.
? I must perforce;] Alluding to the proverb, “ Patience perforce, is a medicine for a mad dog.” Steevens.
8 — should be mew'd,] A mew was the place of confinement where a hawk was kept till he had moulted. So, in Albumazar:
“Stand forth, transform’d Antonio, fully mew'd
“ To the glorious bloom of gentry.” Steevens. 9 Now, by saint Paul,] The folio reads :
Now, by saint John, - Steevens. 1 an evil diet - ] i.e. a bad regimen. Steevens.
'Tis very grievous to be thought upon.
[Exit HAST. He cannot live, I hope; and must not die, Till George be pack'd with posthorse up to heaven. I'll in, to urge his hatred more to Clarence, With lies well steel'd with weighty arguments; And, if I fail not in my deep intent, Clarence hath not another day to live : Which done, God take king Edward to his mercy, And leave the world for me to bustle in! For then I 'll marry Warwick's youngest daughter :3 What though I kill'd her husband, and her father? The readiest way to make the wench amends, Isto become her husband, and her father: The which will l; not all so much for love, As for another secret close intent, By marrying her, which I must reach unto. But yet I run before my horse to market: Clarence still breathes; Edward still lives, and reigns; When they are gone, then must I count my gains.
[Exit. SCENE II.
The same. Another Street. Enter the Corpse of King HENRY the Sixth, borne in an
open Coffin, Gentlemen bearing Halberds, to guard it;
Anne. Set down, set down your honourable load,
2 He is.] Sir Thomas Hanmer very properly completes this broken verse, by reading
He is, my lord. Steevens. 3 Warwick's youngest daughter:] See Vol. X, p. 375, n. 5.
Steevens. 4 obsequiously lament -] Obsequious, in this instance, means funereal. So, in Hamlet, Act I, sc. ii:
* To-do obsequious sorrow.” Steevens.