New Objectivity: Painting, Graphic Art and Photography in Weimar Germany 1919-1933

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Taschen, 2003 - Art - 220 pages
Drawing on new research from local archives as well as reinterpretations of published literature,Power and the Peopledescribes how England remained governable between 1525 and 1640, despite the wars, famine, epidemics, and dynastic and religious crises of the period. The book surveys the mechanisms of authority at various levels, from the street and alehouse to the manor and the royal court. Maintaining order was a difficult challenge, given that England had no standing army or professional police, and Alison Wall investigates everything from the roles of village constables to the social cohesiveness that came from civic celebrations and participatory politics. Her book provides students with a rich perspective on the social world and political culture of early modern England.
 

Contents

Weimar Contrasts
7
A Style and Its Name
15
The Berlin Metropolis
23
14
33
A Return to Order
71
Karlsruhe
89
Cologne
113
Mother Ey and the Young Rhineland Movement
125
Hanover
135
Outsiders
147
Neue Sachlichkeit Iconography
159
Painting and Photography
181
The End of the New Objectivity
195
Notes
204
Copyright

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