Haydn Jahrbuch, Volume 17University College Cardiff Press, 1992 - Music |
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Page 95
... dominant as a second theme before the transition to closing , which ends in an authentic cadence in the dominant in bar 90. In No.76 the transition proceeds without interruption to an authentic cadence in the dominant in bar 52 . The ...
... dominant as a second theme before the transition to closing , which ends in an authentic cadence in the dominant in bar 90. In No.76 the transition proceeds without interruption to an authentic cadence in the dominant in bar 52 . The ...
Page 97
... dominant as a second theme , starting in bar 44. There is no statement of the cell in the tonic in the development , but it recurs intact with preparation in the subdominant as a false recapitulation at bar 88 , and in bar 106 it starts ...
... dominant as a second theme , starting in bar 44. There is no statement of the cell in the tonic in the development , but it recurs intact with preparation in the subdominant as a false recapitulation at bar 88 , and in bar 106 it starts ...
Page 168
... dominant pedals ? If so , what is then the status of Version A , which has the dominant pedals but an inferior form of two other passages ? Given the paucity of evidence , not to mention the sinking sands of value judgment ( even more ...
... dominant pedals ? If so , what is then the status of Version A , which has the dominant pedals but an inferior form of two other passages ? Given the paucity of evidence , not to mention the sinking sands of value judgment ( even more ...
Contents
Further Thoughts on Haydns Stephen C Fisher | 85 |
Mary Sue Morrow Dexter Edge | 108 |
A Spanish source for Haydns Non David Wyn Jones | 167 |
Copyright | |
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Acta Musicalia alß andere bars Beethoven Bericht des Güterregenten Burgtheater cellist Cole concert calendar denen Dichtler Diener Dietzl document ducats Durchl Durchlaucht einige Eisenstadt entr'acte episode estates director Rahier Eszterháza Fatent finale of Symphony Franz Friberth Fürst Fürsten Nicolaus Esterházy Gehorster gnädigst Gnädigster Herr Herr Grenadier gulden Güterregenten Rahier H. C. Robbins Landon habe Haydn's Symphonic Rondo Herrn Herrschafft Highness's Holy Roman Empire ihme Johann Joseph Haydn Kapelmeister Kärntnertortheater Kommentar können kreuzer Küffl L'ape musicale Landon listed Marteau Michael Haydn Morrow movement Mozart musicians Nicolaus Esterházy concerning oboist opening theme opera orchestra P.L.Rahier mpria pastorella Pauer performed piano Pohl Prince Nicolaus Esterházy private concerts public concerts Quartier Rába Rahier mpria Rahier to Prince recapitulation Report Schiringer schon seye seyn siehe A.M. sonata sonata form sonata-rondo string quartet Symphonic Rondo Finales Theater tonic Unterthänigst Vienna Viennese Viennese concert violin violinist Weigl weillen Wien Zimmer Zinzendorf zwey