Byron and the Limits of FictionBernard G. Beatty, Vincent Newey This collection of new articles aims to answer the fundamental questions of Byron's attitude to fiction and to the limits inherent in this art form and in life itself. The book's purpose, as well as celebrating the bicentennial of Byron's birth, has been to assemble a collection of scholarly and informed articles round a particular theme. In this work the theme (given in the title) arises in two ways; first, Byron himself was passionately concerned with the nature and status of fiction and yet often sceptical of its importance. Secondly, it is a major topic of current literary criticism which is increasingly preoccupied with fictions as completely autonomous structures. Byron's poetry should be seen as a version of these concerns but also as one of the earliest deliberate challenges to them. All of Byron's major poems, together with his forays into prose fiction, are considered in this volume. Contributors pursue their own approaches but a particular emphasis of the volume as a whole is the strange immediacy of Byron's poetry, which seems to arise from both the self-consciousness of his undertaking and from his fidelity to what is rather than what is merely known or stated. The method of most contributors is to address these important topics, but substantiate their arguments by detailed reading of texts. |
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Page 187
... Wordsworth's 1805 Prelude , which existed only in manuscript . Yet there are uncarny similarities of theme and ... Wordsworth who casts confidently around for a ' guide ' , ' a twig or any floating thing ' . Wordsworth declares ' I ...
... Wordsworth's 1805 Prelude , which existed only in manuscript . Yet there are uncarny similarities of theme and ... Wordsworth who casts confidently around for a ' guide ' , ' a twig or any floating thing ' . Wordsworth declares ' I ...
Page 258
... Wordsworth for the first time ( in the autumn of 1828 ) an important event in my life . I took up the collection of ... Wordsworth was exactly what did.14 This decision , this preference , is almost emblematic of the state of Byron's ...
... Wordsworth for the first time ( in the autumn of 1828 ) an important event in my life . I took up the collection of ... Wordsworth was exactly what did.14 This decision , this preference , is almost emblematic of the state of Byron's ...
Page 260
... Wordsworth only after a reading of the whole of Byron made him give up his direct emotional demands upon the poets . ' I took up the collection of his poems with no expectation of mental relief . ' For Wordsworth is precisely the poet ...
... Wordsworth only after a reading of the whole of Byron made him give up his direct emotional demands upon the poets . ' I took up the collection of his poems with no expectation of mental relief . ' For Wordsworth is precisely the poet ...
Contents
Fictions Limit and Edens Door BERNARD BEATTY I | 1 |
Lyric Presence in Byron from the Tales to | 39 |
The Orientalism of Byrons Giaour MARILYN | 78 |
Copyright | |
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action allowed apparent Aurora become begins Byron Cain called Canto character Childe Harold Christian claims close consciousness course critics death deep Don Juan effect example existence experience eyes fact fall feeling fiction figure finally follows Giaour give given hand heart hero human imagination interest Island kind knowledge language Lara later leave less limits live London look lyric Manfred meaning mind moment moral move narrative nature never offer once pain past perhaps play poem poet poetic poetry possible present punishment question reader reading reference reflection relation Romantic satire seems seen sense separate Shelley shift simply space spirit stanza story suggest tale tell things thought truth turn verse voice whole Wordsworth writing