Byron and the Limits of FictionBernard G. Beatty, Vincent Newey This collection of new articles aims to answer the fundamental questions of Byron's attitude to fiction and to the limits inherent in this art form and in life itself. The book's purpose, as well as celebrating the bicentennial of Byron's birth, has been to assemble a collection of scholarly and informed articles round a particular theme. In this work the theme (given in the title) arises in two ways; first, Byron himself was passionately concerned with the nature and status of fiction and yet often sceptical of its importance. Secondly, it is a major topic of current literary criticism which is increasingly preoccupied with fictions as completely autonomous structures. Byron's poetry should be seen as a version of these concerns but also as one of the earliest deliberate challenges to them. All of Byron's major poems, together with his forays into prose fiction, are considered in this volume. Contributors pursue their own approaches but a particular emphasis of the volume as a whole is the strange immediacy of Byron's poetry, which seems to arise from both the self-consciousness of his undertaking and from his fidelity to what is rather than what is merely known or stated. The method of most contributors is to address these important topics, but substantiate their arguments by detailed reading of texts. |
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Page 106
... close relation of the Byron of the biographies . For the first person singular to function it only has to refer to a set of characteristics which are not flatly materially self - contradictory - they can be as intellectually self ...
... close relation of the Byron of the biographies . For the first person singular to function it only has to refer to a set of characteristics which are not flatly materially self - contradictory - they can be as intellectually self ...
Page 122
... close imaginable , since it would gather the meaning of the poem , its moral world , into the meaning of its end alone . The envoi has a sense of parting , but it cannot be absolute . I hope we have agreed that the texture of the poem ...
... close imaginable , since it would gather the meaning of the poem , its moral world , into the meaning of its end alone . The envoi has a sense of parting , but it cannot be absolute . I hope we have agreed that the texture of the poem ...
Page 226
... close similarity to a scene that the theatre would make into a bedroom farce , or , more accurately , a near bedroom tragedy ( almost as though Desdemona were to assert herself and round upon Othello ) . Donna Julia concludes her ...
... close similarity to a scene that the theatre would make into a bedroom farce , or , more accurately , a near bedroom tragedy ( almost as though Desdemona were to assert herself and round upon Othello ) . Donna Julia concludes her ...
Contents
Fictions Limit and Edens Door BERNARD BEATTY I | 1 |
Lyric Presence in Byron from the Tales to | 39 |
The Orientalism of Byrons Giaour MARILYN | 78 |
Copyright | |
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action allowed apparent Aurora become begins Byron Cain called Canto character Childe Harold Christian claims close consciousness course critics death deep Don Juan effect example existence experience eyes fact fall feeling fiction figure finally follows Giaour give given hand heart hero human imagination interest Island kind knowledge language Lara later leave less limits live London look lyric Manfred meaning mind moment moral move narrative nature never offer once pain past perhaps play poem poet poetic poetry possible present punishment question reader reading reference reflection relation Romantic satire seems seen sense separate Shelley shift simply space spirit stanza story suggest tale tell things thought truth turn verse voice whole Wordsworth writing