Sixties Rock: Garage, Psychedelic, and Other Satisfactions

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University of Illinois Press, 1999 - Music - 162 pages
Unlike their rock 'n' roll predecessors, many rock musicians of the mid-sixties came to consider themselves as artists--self-consciously presenting themselves as creators of a new sonic medium.

Sixties Rock offers a provocative look at these artists and their innovations in two pivotal rock genres: garage rock and psychedelic music. Delving into everything from harmony to hardware, Michael Hicks shows what makes this music tick and what made it unique in its time. Looking at bands like the Doors, the Rolling Stones, the Yardbirds, and Love, Hicks puts legends and flashes in the pan alike through a rigorous analysis that places their music within rock history while exploring its place in the oft-swirling contexts of the time.

 

Selected pages

Contents

The AgainsttheGrain of the Voice
1
The Fuzz
12
Avant Garage
23
The NotSoAverage Joe
39
Getting Psyched
58
Playing with Fire
75
Ends and Means
93
Sources
105
Names
115
Notes
125
Index
153
Index of Song Titles
159
Copyright

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About the author (1999)

Michael Hicks is a professor of music at Brigham Young University and a musician and composer. His books include The Mormon Tabernacle Choir: A History and Mormonism and Music: A History.

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