Table-talk; or, Original essays, Volume 2H. Colburn, 1824 |
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Page
... feel it . 286 , lines 14 , 15 , for and must , read and they must . 301 , line 11 , for teachers , read thinkers . 330 , line 21 , for hauled , read hailed . 332 , line 9 , for invited , read invited out . 358 , line 22 , omit of ...
... feel it . 286 , lines 14 , 15 , for and must , read and they must . 301 , line 11 , for teachers , read thinkers . 330 , line 21 , for hauled , read hailed . 332 , line 9 , for invited , read invited out . 358 , line 22 , omit of ...
Page 4
... feeling of vastness , of strangeness , and of primeval forms pervades the painter's canvas , and we are thrown back upon the first integrity of things . This great and learned man might be said to see nature through the glass of time ...
... feeling of vastness , of strangeness , and of primeval forms pervades the painter's canvas , and we are thrown back upon the first integrity of things . This great and learned man might be said to see nature through the glass of time ...
Page 7
... feeling of any kind had ever passed through it , and would have you believe that this is the very sublime of expression , such as it would appear in heroes , or demi - gods of old , when rapture or agony was raised to its height . They ...
... feeling of any kind had ever passed through it , and would have you believe that this is the very sublime of expression , such as it would appear in heroes , or demi - gods of old , when rapture or agony was raised to its height . They ...
Page 8
... feel any great desire to go ; for that he thought he had as good an idea of the place from the Cata- logue , as he could get by living there for any number of years . What would he have said , if any one had told him , he could get as ...
... feel any great desire to go ; for that he thought he had as good an idea of the place from the Cata- logue , as he could get by living there for any number of years . What would he have said , if any one had told him , he could get as ...
Page 10
... feeling . Their actions have too much gesticulation , and the set expression of the features borders too much on the mechanical and caricatured style . In this respect , they form a contrast to Ra- phael's , whose figures never appear ...
... feeling . Their actions have too much gesticulation , and the set expression of the features borders too much on the mechanical and caricatured style . In this respect , they form a contrast to Ra- phael's , whose figures never appear ...
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Common terms and phrases
actor admiration affect answer appear artist beauty Beggar's Opera better character cism colours common Correggio criticism death delight Della Cruscan Edinburgh Review EFFEMINACY English ESSAY expression face fancy favour favourite feel game at chess genius gentleman give hand hear heard heart idea ideal imagination interest laugh living look Lord Lord Byron manner merit Milton mind nature nerally never NICOLAS POUSSIN notions object once opinion ourselves paint painters Paradise Lost pass passion Paul Veronese perhaps person picture picturesque play pleasure poet prejudice pretensions principle racter reason Salisbury Plain seems sense sentiment Shakespear Sonnets sort soul spirit style sweet talents talk taste thing thou thought throw tion Titian truth turn uncon vanity vulgar wish wonder words write
Popular passages
Page 29 - Purification in the old law did save, And such, as yet once more I trust to have Full sight of her in Heaven without restraint, Came vested all in white, pure as her mind. Her face was...
Page 26 - CROMWELL, our chief of men, who through a cloud Not of war only, but detractions rude, Guided by faith and matchless fortitude, To peace and truth thy glorious way hast ploughed...
Page 225 - DUKE'S PALACE. [Enter DUKE, CURIO, LORDS; MUSICIANS attending.] DUKE. If music be the food of love, play on, Give me excess of it; that, surfeiting, The appetite may sicken and so die.— That strain again;— it had a dying fall; O, it came o'er my ear like the sweet south, That breathes upon a bank of violets, Stealing and giving odour.— Enough; no more; 'Tis not so sweet now as it was before.
Page 62 - What things have we seen Done at the Mermaid ! Heard words that have been So nimble, and so full of subtle flame, As if that every one from whence they came Had meant to put his whole wit in a jest And had resolved to live a fool the rest Of his dull life ; then when there hath been thrown Wit able enough to justify the town For three days past ; wit that might warrant be For the whole City to talk foolishly Till that were cancell'd ; and when that was gone, We left an air behind us, which alone...
Page 21 - Saturn laugh' d and leap'd with him. Yet nor the lays of birds nor the sweet smell Of different flowers in odour and in hue Could make me any summer's story tell, Or from their proud lap pluck them where they grew; Nor did I wonder at the...
Page 27 - AVENGE, O Lord, thy slaughtered saints, whose bones Lie scattered on the Alpine mountains cold ; Even them who kept thy truth so pure of old, When all our fathers worshipped stocks and stones...
Page 27 - O'er all the Italian fields, where still doth sway The triple Tyrant ; that from these may grow A hundredfold, who, having learnt thy way, Early may fly the Babylonian woe.
Page 29 - The lily and rose, that neither sowed nor spun. What neat repast shall feast us, light and choice, Of Attic taste, with wine, whence we may rise To hear the lute well touched, or artful voice Warble immortal notes and Tuscan air? He who of those delights can judge, and spare To interpose them oft, is not unwise.
Page 43 - The incognito of an inn is one of its striking privileges — " lord of one's-self, uncumber'd with a name." Oh ! it is great to shake off the trammels of the world and of public opinion — to lose our importunate, tormenting, everlasting personal identity in the elements of nature...
Page 52 - ... to the facilities of conversation in those who had been abroad. In fact, the time we have spent there is both delightful, and in one sense instructive; but it appears to be cut out of our substantial, downright existence, and never to join kindly on to it. We are not the same, but another, and perhaps more enviable individual, all the time we are out of our own country. We are lost to ourselves, as well as our friends. So the poet somewhat quaintly sings: Out of my country and myself I go.