a It is from this mass of materials that plan of the Scientia Biblica,' which duties, were all entered as in a day-book too much chequered with misery to allow ation was at hand; at another, my hopes were chilled by the remembrance of disappointment. It was with such feelings, and under such impressions, that the following was penned : To the pallet of straw, where the prisoner lay, In an agonized hour of sorrow, And said, "I'll release thee to-morrow." thrill, The balm 'twas of exquisite healing, And light was his pulse, as the dew of yon hill, And purely extatic his feeling. "His fancy depicted the smile that would greet His return, to his home of affection, His wife, and the sweet little babe that he'd meet, Were dear to his inmost reflection. The advantage of such an exposition of tion of the passages to the illustration of small volume of his meditations, religious thoughts, letters, and hymns, have been selected, all of which breathe the most genuine piety. Of the doctor himself a more extended notice would have been acceptable than is given in the prefatory remarks, which merely relate his progress in the profession, and state that domestic afflictions poured on him so fast as to excite a high degree of nervous irritation, and to produce such a depression of spirits, as to make him imagine himself incapable of continuing his professional duties. These he rement until the 14th of March, 1820, when he died in the 83d year of his age, leaving a widowed daughter, poor, helpless, and afflicted: but we are sure tion of the British public to her unhappy we need say no more to call the atten situation. Extracts from the Diary of the late Mi-Shamrock Leaves; or, the Wicklow Exchael Underwood, M. D.; consisting of cursion: with Notes. 12mo. London, Meditations, Critical and Practical 1823. Remarks on various Passages of Scrip- THE author, who attempts an imitation ture, Miscellaneous Essays, and Occa- of Anstey's Bath Guide,' undertakes a sional Remarks. Published for the task of no small difficulty, and places Benefit of his Widowed Daughter. himself in the way of very invidious 12mo. pp. 170. London, 1823. comparison. That comparison, howTHE widowed daughter of the late Dr. ever, we shall not make, deeming it Underwood, an eminent physician-ac- somewhat unfair; and, although we coucheur, who presided at the birth of have not the felicity of knowing WickEngland's idol-the late Princess Char-low, or any of the heroes or heroines of lotte, now stands in need of the benevo- this poem, yet we confess we have been lent exertions of her friends. She is in amused by it,-which is often more her fiftieth year, and is borne down by than we can say of larger and more His wife's ruby lips glow with constancy's an accumulation of troubles, arising assuming productions. The bright tear of joy, that would welcome him home, Stood trembling, in chrystal, before him, The gleam of delight, that would hallow his dome, Like a sun-burst of glory play'd o'er him. "His soul is translated to regions of blissHis babe he folds close to his bosom, kiss, partly from the loss of relatives and The work is sufficiently explained in THIS is a matter of fact poem; a bulletin of a battle in verse. - It commences with the revolution, and traces its events with a rapid hand to the restoration of the Bourbons. The battle of Waterloo is, however, the principal theme; and the incidents of that eventful day are detailed as minutely as any officer could have done in prose. The charges and the discharges, the attacks and the defence, the deaths and the triumphs of that day of slaughter are carefully enumerated, and a due tribute paid to the brave who fell. Of course the Duke of Wellington, the hero and patron of the poem, is not lost sight of, and his history Foreign Literature. (TRANSLATED FROM THE FRENCH FOR THE 6 LITERARY CHRONICLE.) the little pamphlet now before us. is brought down to the period when a lege of being judged impartially by men | endeavours to combat the first of these WHEN The History of the Expedition Undoubtedly, this is the highest praise that can be given to an historian, who is relating contemporary facts, and we repeat, that all the critics have been unanimous in bestowing it upon the author of The History of the Expedition to Russia. At a period when writers are estimated merely by their political opinions, he has enjoyed the rare privi prejudice which has made us consider Original. GUNPOWDER TREASON. Should ever be forgot,' a little child, (not as an idiot, which receives all and does all, without understanding the nature of the command,) but humble, eager to apprehend, and ready to obey, as Jesus in the Temple, who heard and inquired; he did not speak as one having authority, but ae searched the Scriptures. There is a principle in wickedness which delights in laying buman virtue waste, merely for the sake, of destruction. The spirit of evil was a murderer from the beginning, and his followers pursue the same course. To the inconsiderate person all is what it seems to be. Title or station will not render a person were the days, Mr. Editor!-I used to of course, were aimed at all the open be invited to a house at the top of Clare windows, where a head was to be seen. Market, in the evening of that day, to And will any body tell me that such witness the fire that was annually light-jollity-nay, loyalty as this, should ed in the old paved square (now cover-be put a stop to, because a house ed with buildings), and I can assure or two might be burnt, a boy's eye blown you, I have no pleasure now to which I out, or an old woman's petticoats set fire If the man who hid one talent only met look forward with the keen feeling of to? I think no one will be so hardy.condemnation, what will be the eternal fate delight that I did on those occasions. And really, as it has been said, there is of him who debases a countless portion to It was quite an auto da fé, but full of a lack of loyalty now-a-days, I do cer- decorate the loathsomeness of sin? fun and jollity. Great preparations tainly wonder, that the powers that be? Human reasoning can make no efficient were made for this, and all the straw, I do not encourage so decisive a demo-impression on a mind which studies revelation only to use it to blasphemy. hay, and wood, that could be begged, |stration of it, as such rejoicings as borrowed, and stolen, formed the first these are. foundation for the fire, in the middle of I quite agree with Pope that partial which was reared the gibbet, and to this evil is universal good,' and, therefore, poor Guy was suspended. When I used should argue that though doors, and to read of Haman's gibbet, I never could shutters, and spouts, and rails, and fancy it was at all so high as this.-I butchers' blocks might be burnt on these think I see it now, with the fire gra- occasions, yet as they must all be redually climbing up, shooting and dart-placed, tradesmen would be employed, ing at the combustible feet of Fawkes, and money circulated in consequence; who swung aloft in the wind most and as almost every market and open edifyingly; while the spectators would space in London used to have its fire, be speculating how long he would last. the loss of business to carpenters, &c. By and by his legs begin to flame, his in the non-destruction of the things matches to burn blue, and his dark lan- enumerated must be immense; to say thorn to become light; the buz in- nothing of the poor fire-work makers, creases, the flames have reached his most of whom I am afraid, except Maplotting head; the gibbet begins to tot- dame Hengler and Chevalier Southby ter, and, presently, they both fall head- must have gone to the work-house. long into the fiery gulph. Oh! what a shout arose then! a cordial hearty shout, that made the 'welkin ring' I never heard any thing like it before, nor since; and I know of no figure of speech, by which to convey an adequate idea of it, except one that I met with in print once, and, as my scene is a meat-market, it may do very well, and that was a roaring like that of forty thousand bulls.' In this view of the case, Mr. Editor, I think you will agree with me that the suppression of bon-fires and fire-works on this day is a great and lamentable evil; and what do we gain instead why, in a loyal parish, during the day, a peal from the bells at the expense, to the said parish, of two or three guineas; and at night our watch-houses full of little boys, (for the edification of their morals), who in some dark corner have However my proneness to lamenta- by stealth let off a cracker or a squib, tion may have soured my temperament and have been picked up by a prowling now, and made me a little melancholic, police-officer, to whom they are worth yet, at the time I am speaking of, I was a certain portion of the fine that may be fond of fun-good fun-glorious fun-inflicted after their detention all night, and this was a night of fun. When the and their consequent production at one of fire began to flag and grow dim, parties the police-offices the following morning. of slaughtermen and butchers used to set off on foraging parties, to collect fuel, and woe be to that man's wooden rails, or spout, or shutters, or door, that were not too strong to resist the united forces of tomahawks, cleavers, &c.; and, upon every fresh lot of building materials being brought in, there arose a shout only secondary to the roar, when Guy and his gallows fell. They spared not even their own blocks, or, more properly speaking, their masters', provided they could muster strength enough to roll them to the fire. All this was accompanied by an eternal discharge of squibs, crackers, and serpents, which, I could give you a lamentation for our your lamentable correspondent, Nov. 5th, 1823. MAXIMS AND MORAL REFLECTIONS. [A correspondent, who is not a general novel reader, has selected the following passages from the novel of Miss Porter, entitled The Pastor of the Isle,' to shew the excellent principles which govern the work, and which led the reader to admit it into his family.-ED:] REASON, in hearing revelation, must be as truly great; action makes the post that of honor or disgrace. One of the most exemplary points of human character is to be always in the path of duty. To such souls the rugged and the smooth, the safe and the dangerous, are abould be cherished as if it were a part of alike. This maxim of truth and honour the covenant of final salvation. The love and care of the tenderest rela tions can be of no permanent effect uuless the objects of them assist with their own circumspection and strength.. For comfort or consolation in any event, do not look until you have found its principle in your own heart; i. e. act according to your duty. excellent moral lessons, from viewing them Young people lose the benefit of many as grave discourses, in which they are inclined to consider themselves as little interested as in the map of a country they never intend to visit. It has tended to the constancy of lovers, by keeping sincerely a promise that each would remember the other at the rising and setting of the sun. The warrior secks not luxurious groves or lose in the Olympian struggles of man nor gorgeous indolence, his errand is to win with man. Talents and good dispositions are implements of Wisdom, not Wisdom herself-she is the boon of time and experience, and is emancipated by severe probations. Well-educated young men meditate on a manly life, the career of fame, its triumphs, and its crown-between the starting points and the goal there is an immense chasm. The imagination of a visionary youth overleaps it, but it must be passed with strong, unwearied feet, with wariness, privation, and danger. of public obligation is a habit, and not a A life passing without the responsibilities principle. It must be remoulded with stouter materials to stand the buffets if the world, and the whips and scorns of tine. When the interests of millions ma bang upon a yea, or a này, he who has it a his COME raise the rosy wine-cup high, A bumper from the beauteous bowl! In jest and jollity to join; A balm for ev'ry grief is there; Let poets praise the flowery vale, Give me the valley of the vine, And yet companions, ere we part, But mirth and many days be mine; Fine Arts. Y.J. L. work which has been recently announced by Mr. Wyatt, will not be thought superfluous by those who really admire Fonthill,-not as the mere fashionable newspaper lion of the passing day, but for its permanent and instrinsic beauties. For our part we confess that we look forward to its appearance with impatience, not doubting but that many curious circumstances connected with the origin of the building will there be detailed, and that we shall be enabled to trace its progress from its first germ and embryo rudiments to its matured and developed glories. In order to show what subjects have been selected for the embellishment of the present publication, we shall now give a descriptive list of the plates and wood-cuts, which latter are executed in an admirable manner, and, as will be seen, contribute greatly not only to the decoration of the volume, but to the illustration of the edifice and the adjoin ing domain.-Plates: 1. A large folding Map of the Domain, RUTTER'S FONTHILL. OUR notices of Mr. Britton's work on Fonthill Abbey will be still fresh in the recollection of our readers; we do not think, however, that the interest of the subject is by any means exhausted by what we then said: on the contrary, we think that there is ample room for another article on it by ourselves, as well as there has been for additional illustration by the present publication. Of the latter we have long anxiously awaited the appearance: our ex-with the rides, walks. &c. all laid down. pectation has been repeatedly heightened the groinings and tracery of the ceilings. 2. Plan of the Principal Story.-Shewing by disappointment, nor has it been at 3. A Longitudinal Section.-This is exlength, as is too frequently the case, de-tremely useful, as exhibiting the general conceived; for this work must be allowed, struction of the edifice and the relative we think, almost without a dissentient heights of the different floors; it also shews voice, to surpass its predecessor both in the Lancaster Gallery, bed-room, &c. and the number and interest of its embellish- several apartments in the tower. ments, and in the fullness and syste-In this will be found some discrepancies of 4. Interior of the Great Western Hall.matic form of the letter-press descrip- detail, from the view of the same subject in tion. We did not imagine that Mr. Mr. Britton's work, which is the more sin Britton's volume was likely to be eclip-gular, as both drawings were made by the sed by any succeeding work, but on this occasion we cannot help repeating Voltaire's naxim: Le mieux est l'ennemi du bien. The drawings of the one work generally represent different parts of the edifice from those exhibited in the other; but even where this is not the case they have been made from very different points of view, so that, in fact, they serve to illustrate each other reciprocally, and the deficiencies of the one are supplied by the rival publication. Thus, while Mr. Britton has selected for his work the oriel of St. Michael's gallery, and a view into the great hall from the octagon, Mr. Rutter exhibits a prospect of the gallery, with the oriel to the back of the spectator, and a view from the bottom of the staircase in the hall, looking up towards the octagon. So far they appear to have co-operated together in a most amicable manner, and, indeed, we may say that no admirer of architectural splendour will be content with either of these publications singly: -no; we must have them both. Nay, we even venture to declare that the same artist. Here the pannelling of the arched at all. The pictures are so admi- These three last plates are consider-mained for upwards of six centuries, unrably detailed, as clearly to exhibit the sub-ably inferior both in drawing, execution, til the year 1805, when Napoleon, con ject of each, and to recall them at once to every one who has beheld them. This drawing was made by Mr. Whitwell, the architect, of Grosvenor Place. 6. King Edward's Gallery.-A splendid coloured plate, from a drawing by Mr. Porden, showing a view of the apartment, as it is seen on looking towards the octagon. In Mr. B.'s view, the spectator is looking to wards the sanctuary. Here, also, we observe some discrepancies of detail in the two plates, in the pattern of the hangings and the carpet, which latter, as here exhibited, is quite plain, without any figures whatever. 7. St. Michael's Gallery. Another splendid coloured plate, serving as a frontispiece to the work. We have here the full extent of the rich Gothic roof, as seen along the whole extent of vista. The groining of this is perhaps too strongly shadowed; and the point of sight is, very injudiciously, taken too high, as if the spectator were standing upon a table, or even higher, owing to which, the apparent height of the apartment is considerably diminished, and much of the effect of the roof consequently lost; besides, it has an unnatural appearance, which is not very agreeable. 8. Altar-piece.--This, which serves as the first title-page, opposite to the frontispiece, is likewise coloured; but it is rather sketchy, being less finished than the other plates. and general character, to the interior views. The wood-cuts, which are both numerous and ably executed, are as fol low: 1. An atchievement, with thirty-six of the principal quarterings, selected from the genealogy of Mr. Beckford.-2. The entrance gateway and lodge, near Fonthill Bishop.-3. The eastern postern tower. 4. Group of articles of vertu (very interest ing and curious, shewing, among other things, the topaz cup, of so much newspaper-celebrity). 5. Silver-gilt lamp of the oratory.-6. Corbel of the south oriel.7. Fountain in the court.-8. View in the American gardens -9. The Norwegian hut. -10. Scene in the Alpine gardens.-11. The boat-house and bath.-12. Fonthill Gifford Church.-19. High park lodge. 14. The pavilion in the old park.-15. The convent. 9. Section of the Grand Saloon.-This, THE VENETIAN HORSES. which is one of the most interesting of all MR. THOMASON, of Birmingham, who the plates, displays more at large the central made so excellent a fac simile of the portion of the general longitudinal section; Warwick vase, has recently executed and, unlike sections in general, it shows not some admirable models of the celebrated merely the architectural forms and details, Horses of Lysippus, so long the pride of but the furniture, pictures, and fitting up of Venice and the admiration of both anthe respective apartments. In some respects, particularly in the arches of the octa-cients and moderns. The horses are gon, the engraving seems deficient in clear-four in number, and were executed by ness and firmness, in which qualities it Lysippus, a famous statuary of Sicyon must be allowed to be inferior to the view and Athens, who flourished about 325 in Mr. B.'s work. The character of many years before the Christian era, and was of the details are likewise different in the the statuary of Alexander the Great. two publications*. They first decorated the Temple of the Sun at Corinth; and, in the first of year the Christian era, Augustus, the second emperor of Rome, paid the weight in gold for every statue of Lysippus, and thus became in possession of the four Venetian horses. 10. Specimens of ceilings. 11. View of the south and north fronts. 12. View of the south front. 13. View of the west and south fronts. * In an interior like this, of such amazing altitude, there are considerable difficulties in giving a view of it; for, if the spectator be looking straight forward, in a horizontal direction, the upper part of the walls, unless the point of distance be assumed so far back with out the apartment as to destroy all verisimilitude, cannot be seen at all; if, therefore, the artist who wishes to convey the idea of looking up, as one naturally does in such a case, to contemplate the wonderful and sublime effect of the distant roof,-it is necessary to depart from the usual mode of delineation, and bring the point of sight opposite to the roof itself, foreshortening the walls; for to attempt, in this instance, to show both the floor and roof at the same time, would be as absurd, as to think of showing at once all the four walls of a square room; since it is obvious to common sense, that when our eyes are fixed upon the ceiling of a room, we cannot see the floor. Nero placed the horses over a triumphal arch at Rome; and, nearly three centuries afterwards, when Constantine founded the city to which he gave his name, he took the four horses, and placed them in the Hippodrome, where they long constituted its principal orna ments. quering Venice, conveyed the horses of Lysippus to Paris, where they were long the principal ornament of the triumphal arch which separates the court of the Thuilleries from the Place de Carousel. The fall of Napoleon, and the despoliation of the works of art in Paris, in 1814, restored these horses once more to the façade of Venice, where they at present continue. The first attempt at making a fac simile of these celebrated statues has lately been executed under the direction of Mr. Thomason, of Birmingham, in a most novel style of workmanship. The skeletons of the horses were made partly of iron and copper, and thickly studded with metallic hexagonal starts; a compost made of the oxide of iron. and quartz was forced in between, and surrounded the skeleton; the sculptor's chisel was next employed to shape the animals. A solution was then used, made of oil, boiled with the red oxide of lead (whereby it absorbs its oxigen) with which the compost part was copiously saturated; and in a few weeks became hard and dessicated; a coat of aluginous acetate of lead was then employed, and, afterwards, a similar one of massicat, which prepared them for the process of gilding; this was richly achieved with unalloyed gold; but Mr. Thomason being desirous to plant thesestatues on the very day that a statue of his Majesty was cast, led to their being completely defaced in the gilding, in consequence of the size not being sufficiently dry, while the torrents of rain which fell during the following night, blistered and disturbed the gold. The statues are each about five feet four inches in height, and are liberally placed on the pediment of Mr. Thomason's manufactory, as an achievement in the improvement of the arts, and a a novel experiment in sculpturing. The Drama AND PUBLIC AMUSEMENTS. DRURY LANE.-There has been considerable bustle at both the great theatres during the week. At Drury Lane, the grand spectacle of the Cataract of the Retribution, which occurs in states as Ganges has been played every night, well as individuals, gave the statues preceded by some of our sterling plays. back to Venice: this was in the 12th Shakspeare's delightful play of the incentury, when the Venetians took Con-ter's Tale has been revived, after laying stantinople, and bringing them home placed them on the façade of the church of St. Mark, at Venice. Here they re dormant, at this theatre, for at least eighteen years. It has been said, that Mr. Macready must not aspire to play Shak |