Directing Actors: Creating Memorable Performances for Film and TelevisionThis is essential reading for anyone interested in directing or acting. Judith Weston's brilliance is to recognize that directors, actors, writers, and technicians are involved in a process that is at essence a collaboration. In order for them to have the best shot at creating something true and meaningful, they must share a language and a method of exchange that fosters creative cooperation. Weston rightly sees the director as the central figure in inspiring the energy of a production's harmony. She advises the prospective director on every aspect of a stage or film production, showing how the director can draw the best performances possible from actors. -- From Amazon.com. |
From inside the book
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Page 148
... exercise . But the beauty of it is exactly that : you can participate in the exercise even if you have no impulse or idea for something to say , because you can repeat what is already being said . The exercise , when properly supervised ...
... exercise . But the beauty of it is exactly that : you can participate in the exercise even if you have no impulse or idea for something to say , because you can repeat what is already being said . The exercise , when properly supervised ...
Page 155
... Exercise , and to finding any way possible to get my students to awaken and engage their imaginations . The line between memory and imagination is in fact very thin . In practice , most actors use both personal experience and ...
... Exercise , and to finding any way possible to get my students to awaken and engage their imaginations . The line between memory and imagination is in fact very thin . In practice , most actors use both personal experience and ...
Page 187
... exercise be an experience , rather than information . If it starts to feel boring that means you're doing it mechanically , so take a break and go on to another script analysis tool . But paraphrasing does get easier and more fun the ...
... exercise be an experience , rather than information . If it starts to feel boring that means you're doing it mechanically , so take a break and go on to another script analysis tool . But paraphrasing does get easier and more fun the ...
Other editions - View all
Directing Actors: Creating Memorable Performances for Film and Television Judith Weston No preview available - 2014 |
Directing Actors - 25th Anniversary Edition: Memorable Performances for Film ... Judith Weston Judith No preview available - 2021 |
Common terms and phrases
acter acting action verb actor needs actor playing actors and directors adjectives adjustment Adrian Lyne allow Angel Anthony Hopkins audience behavior believe camera casting char character character's choice comedy concentration connection create creative donut Elia Kazan emotional event emotional map energy example experience facts feel film Glenn Close happen Harvey Keitel hear ideas images improvise impulse intention Jessica Lange John Cassavetes John Travolta keep line readings listening look Major Beat Marlon Brando Martin Scorsese mean moment-by-moment movie objective performance person physical playable problem question reality Red Ryder rehearsal relationship result direction role Sanford Meisner scene script analysis sense of belief sensory shooting shot Sidney Lumet simple someone Sometimes specific spine stage directions Stella Adler Stephen story subtext subworld talk technique thing through-line tion transitions understand watching Woody Allen words wrong