Directing Actors: Creating Memorable Performances for Film and TelevisionThis is essential reading for anyone interested in directing or acting. Judith Weston's brilliance is to recognize that directors, actors, writers, and technicians are involved in a process that is at essence a collaboration. In order for them to have the best shot at creating something true and meaningful, they must share a language and a method of exchange that fosters creative cooperation. Weston rightly sees the director as the central figure in inspiring the energy of a production's harmony. She advises the prospective director on every aspect of a stage or film production, showing how the director can draw the best performances possible from actors. -- From Amazon.com. |
From inside the book
Results 1-3 of 53
Page 8
... relationship : the director is the viewer and the actor is the viewed . The actor is exposed , vulnerable . The suc- cess of his contribution hinges on his ability and willingness to allow himself to be viewed without being able to view ...
... relationship : the director is the viewer and the actor is the viewed . The actor is exposed , vulnerable . The suc- cess of his contribution hinges on his ability and willingness to allow himself to be viewed without being able to view ...
Page 103
... relationship . It also makes it possible for the actors to listen and play off each other even if the characters are not listening to each other . Objectives make possible conflict and a sense of event in the relationship , because the ...
... relationship . It also makes it possible for the actors to listen and play off each other even if the characters are not listening to each other . Objectives make possible conflict and a sense of event in the relationship , because the ...
Page 110
... relationship less emotional investment , and thus a different attitude . This would create an adjustment that she's gotten over the relationship , or that it was never very substantial to begin with , or that she is in denial about her ...
... relationship less emotional investment , and thus a different attitude . This would create an adjustment that she's gotten over the relationship , or that it was never very substantial to begin with , or that she is in denial about her ...
Other editions - View all
Directing Actors: Creating Memorable Performances for Film and Television Judith Weston No preview available - 2014 |
Directing Actors - 25th Anniversary Edition: Memorable Performances for Film ... Judith Weston Judith No preview available - 2021 |
Common terms and phrases
acter acting action verb actor needs actor playing actors and directors adjectives adjustment Adrian Lyne allow Angel Anthony Hopkins audience behavior believe camera casting char character character's choice comedy concentration connection create creative donut Elia Kazan emotional event emotional map energy example experience facts feel film Glenn Close happen Harvey Keitel hear ideas images improvise impulse intention Jessica Lange John Cassavetes John Travolta keep line readings listening look Major Beat Marlon Brando Martin Scorsese mean moment-by-moment movie objective performance person physical playable problem question reality Red Ryder rehearsal relationship result direction role Sanford Meisner scene script analysis sense of belief sensory shooting shot Sidney Lumet simple someone Sometimes specific spine stage directions Stella Adler Stephen story subtext subworld talk technique thing through-line tion transitions understand watching Woody Allen words wrong