Directing Actors: Creating Memorable Performances for Film and Television
This is essential reading for anyone interested in directing or acting. Judith Weston's brilliance is to recognize that directors, actors, writers, and technicians are involved in a process that is at essence a collaboration. In order for them to have the best shot at creating something true and meaningful, they must share a language and a method of exchange that fosters creative cooperation. Weston rightly sees the director as the central figure in inspiring the energy of a production's harmony. She advises the prospective director on every aspect of a stage or film production, showing how the director can draw the best performances possible from actors. -- From Amazon.com.
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Many directors have heard of result direction and been terrorized by warnings of
its evils, but are not really sure what it is. Result-oriented direction attempts to
shape the actor's performance by describing the result you are after, i.e., how you
+ + + When you ask for a general result, the worst thing that can happen is that
you might get what you have asked for: a generic brother-sister relationship, a
clichéd villain, actors emoting, posturing, telegraphing the dramatic moments and
6) Don't use result direction. In rehearsal the actor has a chance to ponder a
result direction and translate it into something playable, but on the set he doesn't
have that time. In fact, you may not want the actors to mull over the direction.
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Review: Directing ActorsUser Review - Sam - Goodreads
Anyone who is interested in working with actors should read this book; It's one of my the very best books I've read on the subject. Read full review